A Post That Has Nothing to Do With Writing

My recent schedule (Nanowrimo, followed closely by my grad school residency) means that Christmas has completely snuck up on me. The Pirate and I went crazy sending out our Christmas cards right before I left for LA, we collaborated on Christmas shopping via email (this is made possible by the fact that I’m the sort of person who is perpetually buying cool stuff and putting it up in the closet “for a future gift-giving occasion”) and now we’re completing the last of our Christmas traditions: eating yummy food while watching noir movies.

It started before I even met the Pirate, and every year I would spend an entire day in the kitchen baking for the holidays. I would make eleventeen dozen batches of cookies, pies, breads – all while watching my favorite old movies. I could watch The Big Sleep or Sunset Boulevard or The Maltese Falcon over and over and over (and I have). Those two activities – food and noir movies – both became linked in my mind to Christmas, always culminating with my absolute favorite, Double Indemnity. To a kid who grew up thinking of Fred MacMurray as the benign, pipe-smoking dad on “My Three Sons,” seeing him as the sexy (at least, he seemed to think he was sexy), wisecracking, matchstick popping insurance salesman Walter Neff opened my eyes to a lot of things. It’s like watching a home movie of your parents on a date. And then killing someone. Or something. Not that I’ve ever done that.

There was a great xkcd cartoon about the most-played Christmas songs that says that what Americans try to do at Christmas is to re-create the Christmases of the baby boomers. I think that here at the Co-Prosperity Sphere, we’ve done a good job of establishing our own traditions that look nothing like what either of us did as kids. Tonight, we went out for Christmas Eve at the Pirate’s parents’ house, and now we’re back home where we’re going to snuggle up with some Indian food, some baked treats, and some amazing black and white movies.

I hope that the twelve of you who are going to read this have some things that you do every year because they’re things that consistently make you happy, whether they involve giving or receiving gifts, lighting something on fire, decorating some stuff, watching a favorite movie and/or listening to or making music. Whatever holiday you’re celebrating, I hope that it brings joy to your heart, and it makes you feel closer to not just your family, but everyone else in the world. In the Buddhist tradition of lovingkindness, let those things that gladden you make you think charitably about your loved ones, those near you, and even those people whom you may not understand or like.

I’ll be thinking nice things about you.

 

 

A GUI Problem

While I’m trying to solve the problems of creating the text for the hypertext thing I’m working on, the Pirate is trying to solve the problems of the workspace to create it and the interface that people will use to read it.

I tried using Storyspace, but although I suspect it’ll do the thing I want, I couldn’t figure out how to make it work. I think I’m going to have to call customer service and have a real live human being¬† walk me through how I would go about creating what I want. It doesn’t help that the documentation is awful. I’m trying to figure out how to connect two nodes together, but it’s all about how those things relate to each other in the first place, and each time they refer to a link or a piece of text or a window, they call it something different.

The problem is, I suspect that I’m devoting all this time to solving the data representation problems solely to get out of doing the writing. I know me. This is exactly the sort of thing I would do.

This is the basic problem of perfectionism: I get myself so freaked out about getting every single detail right that I am immobilized, afraid to even start lest I get started going in entirely the wrong direction. My father has exactly the opposite problem. He takes things on for which he has no qualifications and even less of an idea of how to proceed and just starts doing stuff. It might be the wrong stuff, it might be okay stuff, it might be brilliant stuff, but he adjusts as he goes along, and things turn out however they turn out. Whenever I get into this place where I’m so freaked out about starting off in the wrong direction, I think “What would my dad do?” And then, I normally do something else, because I often disagree with my father just on principle. But at least I’ve committed to a course of action.

My course of action on this particular problem is to leave the programmatic challenges for later and just start writing the text. How will I keep things organized? Remember, I’ve got 6 point of view characters in 3 different locations, each one of whom is operating independently. These three locations are very far apart, so there’s a large time difference, meaning that some characters might be asleep while others are doing things. To make things a little more complicated, any two of these characters might swap places at any time. After two days of talks with the Pirate about things that are both down the road and in the weeds (the future is apparently a kind of shoddy neighborhood), I decided that here and now I’m just going to put the timeline on the x axis of a spreadsheet, the character names on the y axis, color the cells with a color representing any one of the three locations, and then each cell will link out to a text document containing the written text for that scene, thereby capturing POV, location and time in one cell.

Organizational problem solved. As for the rest of it, later. I’ll sort it out later.

What Are You Doing?

I’m glad you asked that. I really am.

The thing that I’ve chosen to pursue is called hypertext fiction. In a nutshell, it’s a form of fiction that uses the utilities of electronic delivery to allow the reader to customize the story. Examples of it have been around for 20 years, but newer e-reader technologies and packaging now allow for better, more interesting presentations and the possibility that you don’t need to have access to the web to read the text (she says, although she has not solved certain problems just yet).

The story as I have imagined it has 6 characters whose points of view will be shown. It has what I’ve come to think of as 3 theaters of action, each one in a different part of the world. Action is happening in their stories at all times as the characters seek to deal with their situations and remedy their problems.

What I’m envisioning is not just being able to “package” the story from a single character’s point of view, but to be able to switch between several points of view (seeing the same scene from an 8-year-old girl, versus a 40-year-old man), or being able to package all stories told in a particular location. It means that I will be writing the same novel 6 times, and each of them must be entirely distinct, and each one must work with all the others.

There are two difficulties I foresee: the first comes in the writing itself. It’s going to be hard to write each node, or scene, as an independent thing such that you can go smoothly from one point of view to another and have the narrative make sense. For instance, if one character leaves the room after an argument, the other will stay behind and ruminate about the argument, or tear up the furniture, or whatever. The one who left might go and cry, or go and inject poison into the other’s toothpaste tube. Where does the scene end? Can you switch smoothly from the end of the poisoner’s scene to the beginning of the next scene starring the room-tosser? Will it flow, or will there be a backtracking? Not sure how I’m going to solve it. I’m also terribly prone to point of view shifts when I write. It’s easy to start talking about how he thinks she’s dependent and clingy and wishes she would just leave him and then put in a line about how she will never leave him because she’s punishing him for being such a wimp by making him take the first step away. If I did it better, it would be omniscient, but since I don’t, it’s just bad third person.

The other difficulty is in the user interface. How do you represent what the reader is seeing? How do you have them switch from one POV to another? From one scene in time to another? What happens if you push a “next” button? What happens if you choose a different character – do you get the same scene retold, or the next scene from a different POV? There are decisions to be made in the telling that will inform how this thing is programmed, and the Pirate and I have been talking about it nonstop.

While the idea of hypertext fiction is not new, the things I want to do with it are new, and are going to require what I anticipate will be years of work. But I’ve got time. I’ve got nothing but time.

Days 10 & 11: The Home Stretch

Friday was our last session with our writing groups, and to celebrate, our writing mentor brought us sparkling wine (we are, after all, adults). We sipped sparkling wine while giving our critiques, and I was surprised at how amazing the critiques I got were. This particular piece of writing was a comedic piece that I’d read on the radio two years ago, and at the time I thought it was pretty good. I was amazed at the great comments I got, things that really got to the heart of what was missing. Now I’m really torn between spending the next five months working on the piece I had originally started for Nanowrimo and spending that time on this thing.The even better part was that one woman ended up a bit better for the drink and ended up doing that thing where every sentence tailed off in quiet giggles and she kept having to put her arm around the woman next to her and sort of lean on her. We decided that letting this particular woman drink anything is probably not a great idea.

My mentee group met with our mentor to get our contracts signed, and I really thought there would be more of a process to it. More of a discussion, if you will. But deep down, I also knew that it was really going to be up to me, and I was pretty happy with what I’d put together.

Saturday, our very last day, was a guest lecture by Fr. Gregory Boyle. His book had been required reading in preparation for the lecture, and while I had tried to read it, I found the stories so touching that I was never able to read more than two pages before I would break down crying. The lecture was called “The Literature of Witness,” but Boyle talked far less about writing and far more about his own experiences. And, of course, I started to cry. Worse, I was sitting in the front row, so whenever Fr. Boyle glanced at the front row, there’s me and my streaming nose and sopping hanky. By the end of the lecture, I noticed that he was tearing up whenever he looked at me. Whoops.

I drove home, and I wasn’t able to leave until after another meeting that got out 4-ish. Crying always exhausts me, so between getting to bed late (I was up packing), getting up early (to put stuff into my car) and weeping for two solid hours, I was exhausted. The Pirate, being the sweetest man possible, encouraged me to stay for another day so that I could leave early in the morning, but I wanted my own bed, my own husband, my kids, my own dogs. I didn’t miss the cats.

Here’s how amazing my best friend is: when he heard that I was going to have to leave late and make a 6-hour drive alone, he offered to drive up with me and fly home today. Could anyone possibly ask for a better friend than that? This is a guy who’s been my best friend for 25 years, but we had enough to talk about that the time in the car seemed like nothing. By the time we got to my house, I was more awake and feeling better than I had all during my residency.

I’m home. I’m tired. My first residency is behind me. Only four more of these to go.

Day 9: Are We There Yet?

Thursday was easily the most emotional day I had. First, the Pirate admitted that on his way home from taking our daughter to school, he heard a song that we had first heard together, and it made him so sad that he almost had to pull over. Of course, while he was telling me this at lunchtime, I got all weepy, and that just set him off again. The lectures were interesting (including another great revision lecture), but the best one by far was a lecture called “Destroying the Book” by one of the outgoing cohort, Raymond Gaston. Its premise was that the form we think of as “book” is a recent construct created by current printing technology. His definition of “post-modern” was a thing that was easily digitizeable and replicable, and therefore “post-post-modern” books are things that cannot be digitized and replicated, such as Anne Carson’s work Nox, a handmade “book” consisting of yards of accordion-folded paper containing the epitaph she wrote for her brother’s death. The class spent time creating visual art to accompany a reading by one of the other students. I was flattered that the author of the work asked me if she could keep mine.

I hurried home Thursday night so that I could finish writing up my “project period contract,” a list of the work that I’m going to accomplish between now and May 18th (the end of the marking period). I’ve committed to between 20 and 25 pages of new material every month, as well as two book annotations (I have a reading list of 10 books), a bunch of online meetings, and anything that I need to do for my field study (you’ll hear more about this later, as I’m not sure we’re allowed to talk about it yet). I wrote everything up, and then sat back to talk to the Pirate. We’ve been using Facetime, and it’s been mostly amazing, allowing me to see my adorable baby’s face and the Pirate’s handsome dimples every night before I hit the sack. This time, though, I started misting up, then the Pirate started choking up, and before I knew it, we were both crying.

And then I went to bed.

Days 8: Girls Just Want to Have Fun

I must admit, most of the reason I haven’t posted for a few days is that I’ve been so busy that I could scarcely think.

On Wednesday, I went to a revision lecture with Rick Moody. I’ve heard him speak on the subject of revision before, and at the time, I was surprised that anyone should go through such a detailed, down-in-the-weeds process of editing. In the four years since I heard him speak, either his process has gotten more detailed or he just gave us a lot more in our 2-hour lecture. In addition to the whole “use each of the 4 sentence types in every paragraph” thing I heard before, he had something like 17 other rules for good writing, each of which he made for himself to address a perceived weakness in his own writing, and each of which he still occasionally breaks when he feels justified. Moody said that what he’s aiming for with each of his works is pushing the envelope of what constitutes “story” and “narrative.” At one point, someone asked him when he addressed larger plot and character issues, and he said something to the effect that if you are down in the weeds enough, paying enough attention to individual word choices, the larger issues will take care of themselves. I don’t know if I necessarily believe that, but there it is.

After another lecture with which I disagreed whole-heartedly (you can’t win them all, I guess), two of my friends and I went to Hard Luck Tattoo Studio in Inglewood. I got a bar in my left ear (here’s a picture of one in someone else’s ear), my friend Susan got three studs in her left ear, and my friend Kat got a lovely tattoo on the inside of her right wrist. I feel that I should mention that my friends are both within spitting distance of my mother’s age, and the three of us had an amazing time. Although my friend Kat, as she was being escorted to her car on the last day by her very handsome husband, said “So long, troublemaker!” But she was smiling.

Normally, I didn’t go to the evening readings because by the end of the day I just felt overloaded and anxious to get back to my room to sort things out, but on Wednesday, I went to the Rick Moody reading. As an added treat, the Pulitzer Prize-winning poet Natasha Trethewey was giving a reading.¬† While I thought her poetry was excellent (and there’s so little poetry I really like), her reading had that artificial pace that for me marks bad poetry reading. A SORT…of EMPHASIS…on…line ENDINGS…and…ELLIPSIS. To me, it shows a lack of faith in the listener’s ability to hear the poem’s form and internal rhythms, which goes back to a lack of faith in the work itself. I forgive it in newer poets, but I wouldn’t have expected it of Natasha Trethewey. Rick Moody’s reading of “Boys” bore out so many of the lessons he went over earlier that afternoon.

I went back to my hotel that night after stopping at a taqueria for dinner, and had to sleep on my right side, my left ear being too insulted to allow for sleep.

Days 6 & 7: I’m SO Tired

Monday morning’s discussions started with a required class on Thomas Payne’s “Common Sense.” You know, that one you read in high school. But when you’re talking about it at a grad school at a university whose stated mission involves social justice with a guy who’s the book critic for the LA Times, suddenly it becomes a a fascinating exercise in how writing can affect people and the duty writers have to be honest and committed to their work.

We turned in our mentor choices first thing in the morning, and by afternoon, our mentor assignments were posted for all to see. I know that I heard just as many sounds of disappointment as I heard sounds of joy when people saw whom they’d gotten as a mentor. I got Jervey Tervalon, my first choice. The mentor is the person who will be overseeing our progress in the five months we’re away. Before I leave here, I have to state some goals and create a quantifiable plan for reaching those goals (number of pages written, number of books read, number of online conferences attended, etc.) and have my mentor sign off on it. The mentor assigns some books that his entire group of mentees (each mentor gets 5 or 6 students) will read in common, and then each student has to come up with more books that they will read and annotate during the semester.

I chose Jervey because he seemed to have the most supportive attitude of the mentors. He expressed a willingness to look at our fiction on its own merits, saying that he prefers not to know too much in advance about his students because he doesn’t want what he knows about a person to color his opinion of their work, which I find to be a very fair attitude.

What I didn’t know is that he’s also much more hands-off when it comes to developing the project period plan. He basically leaves it up to his students to come up with the plan on their own, and then evaluates them based on the work they turn in as compared to the work they planned to do. Which is all well and good if you’ve done this before and have a good idea of how to work, but I don’t. I’m new and I was more than a little freaked out at just being cut loose like this.

And then I realized that if I let myself be intimidated by the fact that I have to figure this shit out on my own, I’m losing all the benefit this opportunity is providing me. Normally, if I have to do a big project and nobody gives me any input, I relish the thought that it’s all up to me and I have free reign, and I know now that this is no different. So, with the benefit of a bit of paradigm shift, I’m so lucky I got my first choice!

Today was another day of nonstop work, one of the highlights of which was the “writers at work” seminar where Kathryn Pope and Diane Wright (both Antioch graduates) talked about digital publishing and how it’s changing the landscape, both in terms of the process of getting published and in terms of the choices people are making as readers. Another was our fiction editing workshop. The discussion today was great, and I talked to one of the participants afterward about how he is mining the pain of his childhood for his stories.

It made me aware of the theme that has run through every class, lecture and conversation I’ve had: in order to make the writing work, we as authors have to question all of our beliefs and assumptions, write our characters honestly and fearlessly, and then surrender to where their stories go. It has made me realize some of the problems I’ve been having with my writing and why it’s weak in the ways that it is. I find that I’m really looking forward to working on my stuff in the next five months!