Love’s Aftermath

Last night, the Pirate and I went to the San Jose opera to see the opening performance of La voix humaine and Pagliacci. The playbill describes La voix humaine like this:

La voix humaine, Poulenc’s French monodrama, follows a young woman’s emotional phone conversation with an unseen former lover. His is discarding her to marry another woman, and she is desperately trying to win back his love. Set in 1940s Paris, this one-act opera paints an emotional portait of an abandoned woman teetering on the edge during an affecting and engaging monologue.

The action took place over three or four phone calls. Apparently, the phone service in 1940s Paris was horrible, as every few minutes the two parties were either cut off in mid-phone call or just thought they were. First, the man calls the woman. Strange, for a man who has apparently thrown this woman over, but I am willing to suspend disbelief. In the first phone call, her essential message is “I’m okay. I’ve been out having a good time. I’m much stronger than I thought I was. No, really, I’m okay.” They’re cut off, and after she fixes herself a drink and lights a cigarette, he calls back, whereupon her message changes. Now it’s “I’m not really that okay. I’ve been struggling. I really miss you. I still love you. You’re always right, I’m always wrong. ” They’re cut off again and she tries to call him back at home, only to find out that he’s not at home. Whoops. He calls back, and the message changes to “I’ve lied. I’m horrible, I’m not coping at all. My friend has had to come and sit with me for days because I wanted to die. If you were to, say, lie to me about not being at home, not that I’m saying you lied, mind you, but if you were to lie, it would just make me love you more because I’d know you were trying to spare my feelings.” And then, after he hangs up, she throws herself out the window. My disbelief jumps out after her, its tenuous link to my enjoyment of the evening having snapped.

Eleven years ago, I myself had a rather rough breakup with my third husband. I was the breaker, rather than the breakee, and I understand the person on the phone’s desire to let the other person down lightly. After every breakup I’ve ever had, I’ve always felt guilty for leaving, no matter how badly things went in the relationship. Thinking about it now, I realize how incredibly egotistical that is. Who do I think I am that merely denying my presence to someone would be enough to plunge them into despair? And yet, I was always worried about “letting them down easy.”

The problem with acting like I’m the guilty party is that the guys I have broken up with are more than happy to go along with my act. Yes, they say. I was in the wrong. I should never have left them. They’re exemplary specimens, and I’ll be sorry one day, and everything is my fault. This wouldn’t be a problem, if it weren’t for the fact that I have children with a couple of these guys. For the past couple of months, I’ve been in a sticky custody situation with one of them, and it’s really been getting on my nerves. After every email, phone call or face-to-face meeting, I invariably end up wishing that things had gone differently. There’s something a bit unfair about the way that, after you break up with someone, they continue to attempt thinking for themselves in a way that leads them to entirely different conclusions about the problems that face the both of you.

It was only after considering this for a while that I realized the truth about La voix humaine. The man, after magnanimously telephoning his ex-girlfriend to make sure she’s okay, after gently breaking it to her that he’s sending his servant around to pick up some things he left behind, hangs up to go back to his “other woman,” and his discarded girlfriend does the only decent thing she can do – throws herself to her death. This, ladies and gentlemen, is the fantasy that most of us have about the end of our relationships. The world would be a better place if, once we have discarded someone, they would have the decency to vanish from the face of the earth, right? Right?

Well, I’m sure that’s what my ex-husband is wishing for, right about now.

Drinking Like a Real Writer

In the 1940 classic “The Philadelphia Story,” C.K. Dexter Haven tells Macaulay Connor “I thought all writers drank to excess and beat their wives. You know, at one time I secretly wanted to be a writer.” He tells Macaulay that Tracy Lord never understood his “deep and gorgeous thirst.” I’ve always thought that writing and substance abuse go together. Hunter S. Thompson, Raymond Chandler, John Cheever, O. Henry, Tennessee Williams, Dorothy Parker, Edgar Allen Poe, Ernest Hemingway – all famous literary alcoholics. Baudeliare smoked hash, Stephen King did coke, Aldous Huxley did mushrooms – the list goes on and on. I think it might be more difficult to find a successful writer who hadn’t at some time abused something. Sadly, I’m not a drug addict. I don’t have the personality for it. I can’t stand the thought of regularly using something so expensive. I’m just too cheap. On the other hand…there’s always liquor.

I was at dinner with a couple of friends last week, and the drinks menu featured a couple of cocktails whose names I hadn’t heard except in novels in years and years. Singapore Sling, Manhattan, Harvey Wallbanger, Old Fashioned, Cuba Libre…I started feeling like I should be wearing a satin gown and maribou-feather slippers, making sure that I didn’t smudge my lipstick or muss my marcelled hair.

I had a couple of Singapore Slings and suddenly, I was Katharine Hepburn, Carole Lombard and Bette Davis all rolled up in one (seriously – they were tiny women and have you seen me?). If I had been at a typewriter (or, more correctly, if I had been a typewriter sitting at my machine), I would have been churning out the kind of prose that made people laugh on the bus, cry in restaurants and call up their friends just to read extensive passages. I’ll tell you a secret, though.

When I was 18 or 19, before they raised the drinking age in Arizona to 21, my boyfriend and I would walk to this Italian restaurant a mile or so from my house and split a plate of pasta and a bottle of bad chianti. I didn’t know it was bad chianti at the time, but I was young and stupid then. We would get drunk and, in that pretentious way that only 18 or 19 year olds can pull off, talked about deep, philosophical truths. We talked about world politics and art and the nature of reality. We talked about popular culture, the human condition and how we were going to change the world with art. These discussions were monumental. They were profound. They were so important, I felt, that I persuaded my boyfriend to bring his new mini tape recorder to dinner one evening so that we could actually remember one of these conversations the next morning.

That night, we drank two bottles of bad chianti and ate spaghetti with butter and mizithra cheese. We probed the very depths of the deepest questions mankind has asked himself since the invention of language. We revealed ourselves as the gods of our own private universe, a place much more orderly, beautiful and just than the one that everyone else seemed to inhabit. We weren’t golden children, we were beings of diamond.

The next morning, after throwing up, we listened to the tape. It was hard because the night before, we had apparently had some difficulty working the tape player. You know, pushing both the “play” and the “record” button at the same time. There was a great deal of giggling, some of that “I love you, no I love you” crap that couples at a certain stage of their relationship think is terribly charming, and a whole lot of incomprehensible mumbling punctuated with belches. When we did speak, we seemed only to be able to complete one sentence in four, and that one generally ended with a loud “HA!” The two of us looked at each other, mortified, and vowed never to do that again.

My loving husband is mixing me a cocktail even as we speak, but I’ll likely sip it slowly and perhaps not finish it, for I’m in the midst of Nanowrimo, and I’d like the words I put together to mean something.

I’ve Been Promoted!

I’ve been a practicing Buddhist for decades now, and it’s less a religion than a lifestyle. I make it a habit to think very long-term about the things that I do, making sure that I’m doing the right thing. I try very hard to practice the whole “right speech, right action, right livelihood, right thought” thing, although I must admit that my own personal weakness is right thought. My biggest indulgence is a constant stream of mental snark that occasionally spills out of my mouth as speech.

One concept that colors my thought is that of the ten worlds. These ten worlds are ten different states of being, and while they are typically presented from lowest to highest, you can move from any one of them to any of the others. For a list of the ten worlds and how they interact, go here. I’ll wait.

Done?

For the first half of my life, my normal state was hunger. As a middle child, I craved attention from those around me and often acted like a drama queen to get that attention. I was a young child in the early 1970s and suffered the double whammy of a terrible recession and hippies. That meant two things: we had no money and everyone was on a health food craze that meant that “treats” looked like carob and sesame seeds, which are (and let me be perfectly blunt about this) NOT TREATS. Treats are candy and potato chips, and I desired them inordinately. When I got them I hoarded them, guarded them jealously, ate them quickly.

The interesting thing I’ve come to realize, though, is that my normal state has changed. I’m decades away from childhood and privation, and I’ve come to realize that there are very few people whose attention I actually want. I’ve worked hard in life to make a career for myself and to become good at the things I do. For my husband and myself, hard work has paid off and we’re doing very well for ourselves. I feel very lucky in that regard.

But I’ve come to realize that I’ve lost patience with people.

I no longer work a paid job. Nowadays, all my work is volunteer work done on behalf of my chosen charity, but right now I’m frustrated because I’m trying to accomplish a set of tasks, but nobody I work with believes that I know what I’m doing or can accomplish what needs to be done. I want to yell “Don’t you know who I am? I’m the woman who makes other people jump to do her bidding because she’s the god of Getting Shit Done!” I have similar frustration every time I read a short story or novel that’s just bad. I think to myself “I write better grocery lists than this! Why am I still getting rejections?”

My life is particularly blessed right now, but I find myself prowling, growling, scowling, howling. I’m not recognizing what’s going right because I’m so busy railing against what’s going wrong.

The nice thing about the ten worlds is that it takes so little to go from one to another. Buddhism is not about striving to achieve anything: it’s about striving to give things up. For the foreseeable future, I’ll be working hard to give up resentment and the need to get people to acknowledge my superiority. Because Buddhism is about giving up one’s illusions about life, and if there’s one thing that I do know deep down inside, it’s that I’m not superior to anybody.

Only the Rich Can Afford Nothing

I’ve been watching a terrible lawyer drama show on Netflix, and much of the action takes place in the lead character’s apartment in New York. You can tell she’s rich because the apartment is the size of an airplane hangar and none of the furniture touches each other. There’s enough space to do an entire gymnastics floor routine without knocking over a single chrome vase or coming close to touching a wall. Even the other character, who lives in a hotel room, has enough space in her hotel room that you can’t ever see the whole room from a single camera angle. I’m jealous because you can see practically my entire house from one camera angle.

I live in a small house with a lot of stuff in it. Bookshelves full of books, a huge hutch full of dishes and glassware and tchotchkes that people have given me from their travels, stuff inherited from my parents and stuff given to me by my children. Some of it I bought myself from catalogs because I fell in love with the way that it looked in the airy, richly-furnished make-believe world the catalog created. I’ve always liked looking at catalogs because the rooms in catalogs are like storybooks of lifestyle possibility where every tight space is cozy, every bedroom is airy, every dining room can seat twenty and every home office is neat and tidy.

The opposite of that look is squalor – the condition of being dirty, overcrowded and miserable, with its insinuation of poverty. When movies, television or books want to show poverty, the irony is that they show possessions. Clothes-strewn floors, pots and pans on counters, toys littering the floor. The poor have plenty of stuff, but no space in which to put it.

That’s the thing. It’s not that the rich necessarily have more stuff than the poor (although one assumes they have a better class of stuff – more fashionable clothes, nicer pots and pans, more expensive toys). It’s that the rich have someplace to hide their stuff. There’s a catalog/website called “Frontgate,” and it bills itself as “luxury decor for America’s finest homes.” A large part of what they sell is storage. Places to hide nearly everything, including litter boxes, electrical cords, and any dead bodies you may have lying around your backyard.

There’s another class of people who appear to have nothing: monks. Monks are expected to live lives of poverty, chastity and obedience, and therefore not just to not have anything – they’re expected to not want anything. It’s a noble ideal, and one that many people recognize as praiseworthy without actually cultivating it themselves. Monks in their stuff-less existence have less to distract themselves from the larger questions of life and therefore can devote themselves to pursuing the larger truths. Monks are better than you and me because they have chosen to pursue real answers to life’s mysteries, rather than the fake answer of material gain.

Maybe that’s why the media portray rich people as having so little stuff. They want you to believe that the rich are actually better than you. Not just better off, with not only more cool junk, but with more expensive furniture to hide that cool junk behind, but better. More virtuous. Privy to answers about the inner workings of the universe whose questions you can’t even afford to ask.

The sorrow and the pity is that so much of America has bought that lie, even though they can’t afford it.

New Website, New Look

A couple of years ago, the Pirate and I had a website built as part of a program that taught people website-building skills. We were excited to be able to get a cool new website while providing a service to folks in our own community. But, it turned out that all the big plans we had didn’t really pan out. Certain things, like putting pictures into the blog, ended up being a little more cumbersome than they should have been, so we didn’t use them.

On top of that, the comments thing became a problem. The CAPTCHA never worked quite right, so we turned it off. As a result of that, we’re being inundated with spambots that are posting dozens of spam comments a day that have to be manually removed.

It may take a while to figure out moving all my old posts over to this blog, but in the meantime, this is the new blog. Hooray!