What I Have

There’s something very uncomfortable about having. The recent protests against the profligate rich have framed the debate as being between the haves and the have-nots, but those labels can be applied to any group who feels oppressed. Any group fighting for civil rights is a have-not. Frankly, anyone who’s in a position to feel dissatisfied with their lot probably thinks of themselves as a have-not. And they despise those who have.

graph showing average income

It only takes a little over $150k a year to be in the top 10%, and the more you make, the closer you are to the 1%. In California’s Silicon Valley there are plenty of firms paying this kind of money.

 

So, if you have money, you can’t possibly feel good about it. Even if you donate to charities, help the poor, etc., you’re still a rich bastard living on the backs of the poor.

My father, who is on the Board of Directors for the ACLU in Arizona, does a lot of work on behalf of those people who are being racially profiled and unfairly persecuted by local government. Arizona is a haven for old, scared, politically conservative white people, and the government there thrives by playing on their fears. My father is Mexican, and looks it. My mother, on the other hand, is Scottish. I look like my mother, and therefore, no one would ever think to ask me for my immigration papers if I were ever to be pulled over. But that fact causes me nothing but shame, as does the fact that I was born in Arizona in the first place.

I’ve been happily married for nearly ten years to a man who’s interesting to be around, well-read, likes thoughtful political discussions and foreign films, etc. In short, we’re very well suited and get on like gangbusters. We often hear remarks from people about how obvious it is that we have a great relationship. That’s heartening, but I also hate to bring it up, because I am friends with a lot of people who are either in crappy relationships or wish they were in some kind of relationship but aren’t.

I guess the long and the short of it is that I’m happy. I have a good life, and I’m enjoying it, but at the same time I’m eaten up with shame because I know that so many others aren’t happy, and a lot of them think that I don’t deserve to be happy either. I don’t think anyone’s so unrealistic as to say “If every single person on earth can’t be happy, no one should be happy,” but it does seem that an alarming number of folks live by “if I’m not happy, nobody should be.”

I hope that a lot more people are like me. Enjoying happy, fulfilling lives, but doing it quietly, so as not to bother anyone.

False Modesty

Raise your hand if you didn’t know I’m an introvert.

No one? Good. You’ve all been paying attention.

Woman with two women in background

Unless your entire conversation is about “Here’s what’s going through my mind about you right now,” you have no idea. And even then, they could be lying.

 

One of the hallmarks of introversion is the tendency to spend a lot of time and energy thinking about how others perceive and receive us. “Does he understand what I mean?” “What did she mean by that?” “I shouldn’t have said that.” “He hates me.” One of my greatest fears is being boring, so I remember things that people talk about that have bored me and I avoid those topics.

At the top of the list of boring subjects is complaints. That’s not to say that a friend or family member relating pain or privation is uninteresting to me, but you know the kind of people who can’t have a conversation without it being a litany of the injustices done to them. They hate their jobs, their friends disappoint them, their families are a misery and they have no hobbies or pursuits that bring them joy. These people think that the world is out to get them, and if you don’t participate in their view of the world, you’re against them too. I want to say “I understand that you’re going through a hard time and I wish there were something I could do about it,” but that’s where my expertise ends. I usually can’t do anything about it, and I feel horrible about that.

I’m no different than anyone else in the world in that I have problems. The most visible of my problems is my weight, which is a constant source of aggravation to me, but there are plenty of others. I hate talking about the crappy little day-to-day things that drive me crazy because I can’t imagine that anyone would find those things remotely interesting. I don’t find them interesting, and they’re my problems.

The drawback to not talking about the things that aggravate, confuse or frustrate me is that to the people I speak to most often, I come off as either never having any problems or as not caring about the ones I do have.  I’ve heard from several people I admired who’ve said “But you seem like you have everything together!” Which floors me every single time, because I tend to look at the world as though everyone in it knows something that I don’t and I’m constantly playing catch-up.

I’ve realized a common trait among the people I admire most: they’re all able to distill their own internal states and report them honestly with no fear of judgement. What does that do to people they interact with? If I say to someone “How are things?” and they say “Not great, my dog is sick and I’m distracted with worry,” I feel a few things:

  • I’m grateful that my friend has shared something important with me
  • I understand what tone the conversation should take and if my friend’s reactions are subdued or distracted, why
  • I know not to make demands on them because they’re not themselves

What this tells me is that I need to get better at being not just more honest, but more complete in my communication with people. I need to stop pretending that I’m always fabulous and ready to give my utmost to everyone, because I’m not. I want everyone to think that I’m always available to them, but I’m doing them a disservice because the truth is that I’m not always able to give people my full attention. Sometimes, life distracts me and I am unable to look away. I’m not better than anybody else just because I don’t admit to it.

Best Surprises From Grad School

Tomorrow’s the end of my residency, and this one was entirely different than my first. Everything was a surprise my first residency, so it was hard to tell which parts of my experience were unusual and which weren’t. And, of course, since happy people are all alike and unhappy people are all different, I just assumed that all our experiences writing alone during the project period were different.

First surprise: Not everyone had such a hands-off mentor. My mentor gave very little feedback on my writing, and only talked about my annotations to the extent that they were in the expected format. At first, I was okay with it. I was very busy during this project period, and if I had been working under a mentor that required a lot of new material or a lot of rewrites  every month, a lot of things would have been difficult. My mentor was also supportive of my technological efforts. This was absolutely related to my writing, but was separate from it. But hearing the stories of my fellow students who published tons of shorter fiction, who got their novels into publication shape, who received constant feedback, I began to feel cheated. I wonder what else I could have done with a mentor who was more hands-on. My mentor for the next project period is, I have been told, the polar opposite of my last mentor. We’ll see what that means for my writing.

Second surprise: They remembered me. Last project period, I knew no one and spent a lot of time trying to work up the courage to get into conversations. I was afraid that less-new students would look down on my inexperience. This time, I knew lots of people, and they said hello and we had lots to talk about and we shared our experiences and laughed like old friends. I met the incoming cohort, and they’re all wonderful folks. I’ve spent lots of time talking to them, hoping that none of them feel the way I felt. And in December when I come back, there’ll be even more new people, and the new people from this residency will have become old friends.

Third surprise: Lots of women writing horror. I listened to a great lecture on horror from a woman who was like a female version of my friend Cliff, the ultimate horror fan (right down to her dreadlocks). I listened to another great lecture on writing “transgressive characters” (think pedophiles, serial killers, etc.) by a woman who was trying to get to the bottom of her fascination with what makes someone turn into a pedophile. And that’s just the lectures. There are so many women writing great genre fiction here, and it fills me with hope.

There were tons of surprises every day – it’s always a treat to be in the midst of smart people busy thinking up cool things. At one point, I was in a lecture given by Aimee Bender, and the woman next to me said that she had graduated a year ago and she was still coming to lectures, because alumni are allowed to attend all the lectures they want forever. I was blown away at the thought that I could keep coming back, keep hearing all this amazing stuff – forever. I think that was the best surprise. I may never come back once I’ve been graduated, but I could.

How I Got Published: Grad School Stories

Back when I first started taking writing seriously, I started going to writing conferences. Almost all writing conferences are the same: there’s some famous author who speaks at the beginning, telling their story about getting published, then a bunch of seminars that coach participants on the basics of writing: character building, plot basics, creating tension, good opening scenes, believable dialogue. The advice they gave us about finding an agent and a publisher was always the same: go to bookstores and find books that are like yours, then find the agents and publishers who represented those books and query them. They acknowledged that each of us would have to query a lot of agents and publishers, and that it would be difficult, confusing and an uphill battle.

What bothered me was that so few of the authors had actually gone that route. The first one I heard was a Chinese-American writer who was doing grad work when her professors told their contacts about her writing. When she came home on vacation, there were messages from agents on her answering machine because Chinese-American writing was hot. Another author said that she took copies of her manuscript wherever she went and handed them out to everyone she encountered, and she finally got an offer from an agent. Another one went to grad school and decided that she wanted to win a particular literary prize. She kept revising and submitting her manuscripts until she won it, then the agents came to her.

This isn’t fair. It makes me feel like there’s a fictional, accepted way of doing things – writing the impossible query letter, sussing out the exact right agents/publishers for our work (woe betide those of us who write a variety of different kinds of work), sending out and tracking a million queries. Everyone has signed a secret contract that this fiction is what we’re going to tell writers at conferences and seminars and MFA programs. It’s like that fiction that you’re going to meet the right person, fall in love, get married and live happily ever after.

The possibilities of electronic literature complicate the picture even more. Self-publishing ebooks, indie presses, print on demand – they all factor into the equation now, and the rules are changing. I’d like to stop this lie about the golden path to publication. Let’s go ahead and say “Do whatever it takes. Be inventive. Be persistent. But above all, be good at what you do.”

I think that’s the advice I’m going to give.

Why I Broke Up

I just finished reading Daniel Handler and Maira Kalman‘s book Why We Broke Up. I’m a long way from being a high school girl (and my husband, who only got through the first couple of chapters is an even longer way away) but it brought so many things back to me.

After I finished it, I turned to my husband and asked him what he had thought about it. He said that he wondered why Min, the protagonist telling the story, dated Ed, the popular co-captain of the school’s basketball team in the first place. I told him that even though I’m happy in my life now, even though I like the person I am and I’ve surrounded myself with people whose friendship makes sense to me, when I was a kid, if one of the super-popular boys had asked me out, I would have said yes in a heartbeat. Sure, my conscious mind would have said “He’s just setting you up for some humiliating practical joke!” but my mouth would have said “Yes.”

Back when I first moved to the Bay Area, the popular guy did ask me out. He was a body builder and programmer (remember, this was back in the late 90s, the height of the bubble, when programmers were all gods) and he approached me at a coffee place. When I met his friends, he told them that he loved me. He would take baths with me so that he could brush my hair, and he would sing me to sleep. Even though I was also bodybuilding and regularly carried two full 5-gallon water jugs (that’s 40 pounds in each hand) the five blocks from the Safeway to my house, he would take heavy things out of my hands. “I can carry it!” I would protest. “I know,” he’d say, and gently take them anyway.

But after four idyllic weeks together, it all fell apart quickly and completely. He disappeared without explanation for three days and then seemed surprised that I was angry about it. He began behaving erratically – coming to my place late at night, picking fights, spending whole evenings at my place not even speaking to me. It wasn’t so much the fights. It was that he went from hanging on my every word to forgetting that I was in the room with him.

And then came the day that he told me he’d been taking steroids. My genetics mean that I was able to build up muscle easily, but it wasn’t quite as easy for this guy, so he cheated. I told him I wanted to see him, and when he came over, I had this few things all ready in a paper bag by the door. The actual breakup took about 30 seconds.

It took me years to get over missing the fact that someone knew I was capable of skipping up 3 flights of stairs with 100 pounds of groceries in my arms and insisting that he would do it for me. Of missing being sung to sleep. Of missing having my hair brushed. On the other hand, what I have now, I’ve had for 12 years. There’s something to be said for that. The Pirate may not have been the popular guy back when we were kids, but nowadays, he’s the most popular guy in the house.

 

My Revision Process

I went to the zoo recently, and while watching a giraffe walk like two men on stilts in a tent, it occurred to me that my own editing process looks much like the revision process I believe God went through in making the horse.

a rhinocerous

They pee straight backward. Did you know that?

The Rhinocerous Phase

I’ve finished my manuscript. It’s huge. It’s got bits on it that look like they were tacked on at the last minute, and the parts don’t feel like they fit together very well. Much like the rhino, perhaps the legs are a little thin for the body, the skin doesn’t look like it fits quite right, and the eyes are too small. But it’s got all the requisite parts, in more or less the right place. When I look at it, though, I think to myself “this isn’t nearly as graceful, as flowing, as uplifting as I was hoping for.” So, I start smoothing things out a bit.

a hippopotamus

When I was a kid, we called these “hippomopotamus.” Okay, I still call them that.

The Hippopotamus Phase

I’ve smoothed things out. It’s not as warty, the bits that obviously don’t belong have been taken out, I’ve made a few improvements to the flow. It’s definitely smoother, but look at it. It’s still a bit more bloated than I was hoping for. It’s not very graceful, except when underwater and all the ink begins to run and swirl, but I don’t kid myself about the way that most editors read – they don’t do it underwater. This thing needs to look wonderful and powerful and majestic on land. Time to do some cutting.

a tapir, but not the flying kind

One of my biology professors once went through an entire lecture talking about “flying tapirs.” He meant “flying lemurs,” but I have invested in a special pith helmet just in case I’m ever in the Brazilian jungle.

The Tapir Phase

I’ve cut it down. My lovely piece of writing is now about a third the size it was before. I’ve taken out long, boring expositions, lingering descriptions of scenery, pages of unnecessary background. But it’s still sort of lumpy and ungainly. It’s still not the model of effortless verbal grace I’ve been imagining. And that bit I added on the front there? I don’t think that’s working out at all. So, time to perhaps add a little back. Time to start thinking hard about what’s really important. I want my piece to be the right length, but there’s also breadth and height and all that. Color wouldn’t be bad either.

an okapi

It’s fun to look at, but stylistically, a bit of a mess.

The Okapi Phase

I’ve gone back to the drawing board. I’ve taken all the parts of my story that I felt really had something, and I re-wrote everything else. I added new characters with pizzazz and sparkle. And I gave one guy a funny speech impediment. And I added this great scene between the bad guy and his chief minion where they’re ordering pizza. And it’s really starting to look much more like what I was envisioning. The plot is all hanging together really well, but…well…it’s just not quite there. Not quite. Almost, though. I can certainly see glimpses of greatness. From a certain angle, it’s got a certain majesty to it. But yeah, maybe I’ve overdone. What am I really going for here? More The Great Gatsby, or Cat in the Hat? I have to make some hard choices.

two giraffes running

They’re every bit as graceful as a creature made entirely of knees.

The Giraffe Phase

I’m almost there! I can see it! I’ve toned it down, I’ve shaped and pared the story until its crystalline structure just sings. The plot is everything I’m hoping for, but I do have to admit, the language is letting me down in places. Too stilted in some places, too awkward in others. I’m looking for a more consistent tone and voice, and am willing to sacrifice the 17″-long purple tongue to get it. And I think that succumbing to the urge to add back the horns was, in retrospect, a mistake.

a mule

The only difference between a mule and a horse is some misplaces modifiers and too many commas.

The Mule Phase

I’ve been working on this one story forever. I’m getting sick of it. It’s beginning to smell. And yet, it’s so close! I’ve taken out the awkward bits, polished up the language, and it is now nearly everything I want it to be. Except for that place on page 68 where I typed “that” instead of “then.” And that other place where I didn’t capitalize the last name of the girlfriend. And that place where it was Tuesday at the beginning of the scene and Monday at the end. But I’m so close. I can’t taste it, but boy, can I ever smell it.

a horse

Not only is it beautiful, but it’s also fast, and can kick your ass. And it’s a vegetarian.

Success!

It’s done! It’s beautiful! No one reading this can deny that it’s a masterpiece. Yes, it took a lot of work to get here, but I’ve got a story with grace, flow, majesty…and the kind of legs that will hopefully carry me to a sequel.

Why I Learn

For the past 36 hours, I’ve been going through the tutorials learning to use FileMaker, a database creation software.

“But wait!” I hear you cry. “Didn’t you finish putting all that info into a NeoOffice database?”

Yes I did. And then I moved the file from one folder to another, and the database disappeared. The form I created to populate it remained. The report I created to show all the edits in a printable list remained. It’s the actual table – you know, the thing with the information in it – that disappeared. The Pirate and I poked around for a half hour before I said “It’s no use. If NeoOffice’s databases are this fragile that you can’t even move the file without entirely breaking them, they’re of no use to me. I need something better.”

I had similar incidents that led me to learn Photoshop, Dreamweaver, how to drive a manual transmission car, how to make homemade pizza, how to build a chicken coop, FrameMaker, InDesign, how to use a tampon…I could go on and on. It seems like I have not had a single week in my adult life where I wasn’t learning a new thing to solve a new problem I’ve encountered.

My mother, when she found out I was getting her an iPad for her birthday, signed up for a class to teach her how to use it. I’m not that person. I can’t seem to get motivated to learn something until I have a specific problem I need to solve, and the way I learn things is to take the tools I’m presented and poke and prod them until I’ve figured out how to solve my problem. Granted, this leads to solutions like a rock-solid chicken coop built entirely without right angles, but I’m not after perfection. I’m after completion.

It makes me wonder what other people do when faced with an obstacle. The whole purpose of the database was so that I could put all the hundreds of edits I’d received for my novel into a single list, sort it into types of edits, and then tackle them in an orderly manner. I suppose I could have just saved a copy of my manuscript and then picked up each markup I’ve received, make the edits, and then move on. That process would take two to four times longer, but it would get the job done. And I’d have to do that longer, manual process on every novel for which I receive feedback. Now, I have a single tool that I can use to enter all my edits for any novel, and I can use it over and over again. I’ve solved my organizational problem.

I guess that’s why I learn. Because I’m not after perfection in my end results. I’m after perfection in my processes.

Taking the Stigma Out of It

I was out at a public gathering with the Pirate, and I saw a person wearing a zip-front sweatshirt with writing on it. The sweatshirt was unzipped and open so that part of the writing was obscured, and I realized that I was openly staring at this person’s chest in an effort to make sense of the writing. Upon noticing my staring, the person zipped the sweatshirt, my curiosity was satisfied and the episode ended.

Except that it didn’t. I wanted to tell the Pirate about it as an illustration of what a social dork I can be, but although I knew the person’s name, I could honestly not tell what gender the person was. The name was no help, as it was one of those slightly unusual names like “Dallas” or “Kennedy” that could go either way. The person’s physiology was no help at all, nor was anything about the person’s manner of speech, expressed interests or abilities, etc. The person’s gender had nothing whatsoever to do with the story, except that I didn’t want to have to say “I was staring at Dallas’ sweatshirt and Dallas realized it and zipped Dallas’ sweatshirt and I was all embarrassed because I realized that Dallas must have seen me staring at Dallas and thought I was some kind of idiot…” because if I told it that way, I would sound like an idiot.

I realize that in today’s society, gender has become a difficult issue. Openly transgendered people have challenged our notions about where in the body gender lies. Gender is no longer a simple shorthand for anything, and most especially not sexual identity, profession, sexual preference, mode of dress, or anything else that when I was a kid could be labeled “boy” or “girl.” But I’ve also realized that gender is only really important to me in two situations, both of which involve intercourse: when I want to sleep with someone (and as a person in a long-term monogamous relationship, that question was resolved a long time ago) and when I want to talk about them.

I talk about people all the time, and it’s difficult when everyone has a different idea about who they are and how they want to be thought about.  Some folks consciously or unconsciously stake their claim – they dress, act, talk in a way that reinforces the gender role they are playing. Some folks try to stake their claim, but meet with less success. Living in Santa Cruz, I also see no end of people who dress in ways that say that they’re just messing with society at large. But all of these people have an idea of themselves and their gender identity that may not be obvious to the casual observer.

So, how do I talk about Dallas and Dallas’ sweatshirt? Let me make this much clear: I like Dallas. Dallas seems like a smart, interesting person with cool hobbies and a lot of things in common with me. Dallas probably knows a lot of good jokes and fun places to hang out and interesting, artistic people. None of those things have anything to do with Dallas’ gender, and chances are that it would take me months, if not years, to get to know Dallas well enough to broach the subject of gender identity. But in the meantime, how do I talk about Dallas?

Which brings me to the subject of “it.” People have tried to solve the issue of gender pronouns in various ways. I understand trying to be inclusve: “Everyone should have brought his or her ticket.” But when you’re only talking about one person, that makes you sound weird. When talking about a single, definite person of indeterminate gender, you can use the kind of tortured constructions that avoid pronouns: “We gave each person a ticket and each person should have it,” but they are just that. Torture for both the speaker and the listener. The worst are the made up pronouns – ze, mir, hum. Those are just silly. And even if they weren’t silly, they’re hard to remember and most people won’t understand what you’re saying anyway. You can use the plural, “Everyone should have brought their ticket,” but it’s grammatically incorrect, and sounds strange when you’re talking about a single person and their actions or possessions.

But what about “it”? People object to using “it” to refer to human beings because we use “it” to refer to things that are not human beings and humans are egotistical and like to be assured of their special, privileged place in the world as the only ones with a language that enshrines their self-awareness. Referring to other human beings whose gender is unclear as “it” seems insensitive and dismissive. Using “it” to refer to someone whose gender is completely beside the point (as in the story of Dallas’ sweatshirt) seems lazy. But how can you be respectful, inclusive, not lazy, etc., when talking about someone that you don’t know? For times like that, I’d like to de-criminalize, as it were, the use of “it” to refer to people whose gender is unknown, unclear or irrelevant. If you want, you can use it to talk about me.

I know Dallas is.

“You should have seen it! Staring at my chest with its big, stupid mouth gawping open! Some people!”

A Glimpse of the Future

As I’ve mentioned before, I’m participating in Borderlands Boot Camp in January. The fine folks at Borderlands, in an effort not to overwhelm its participants with the enormity of their task, have already forwarded all the materials that we’ll be asked to critique over the course of the weekend in late January and I, being the non-procrastinator that I am (sometimes, when I don’t put it off) have already finished going through nearly all of it

I’m not going to talk about that process just yet. What I’m going to say is that I have NOT received my stuff from grad school yet. I won’t receive it until sometime around November 11, giving me just less than a month in which to read and critique it, along with all the other stuff I’ll have to wade through. Given the ratio of the caliber of material to the cost of the program, I would expect the stuff in the grad school packet to be four times better than anything I read for Borderlands. That’s a tall order, because some of the Borderlands stuff was pretty good.

I feel like I’m at the end of a long line of people waiting to jump off a cliff. I can look up ahead and see what’s in store for me, but I can’t jump just yet. I’m nervous. I’ve spoken to quite a few folks who have all said “I’d like do to grad school, but I just don’t know where I’d find the time.”

But here’s a thing that I’ve found: wading through the stories I’ve got to read for Borderlands was a little tough the first time. Every story is new, and it’s like going to a new place. Slow going, not sure that the place I start out from is where I’m going to end up. I read every story through the first time without making any marks or comments. Most of the stories needed work. A couple were really good, a few I thought were beyond redemption. The second time I read them, it was to make notes. And the second time, every story I read was better than I remembered it. The good ones had sparks of incredible genius. The so-so ones were almost there, just a few patches over the rough spots. The worst ones had something redeeming about them, nothing that couldn’t be brought out. It turned out that the very worst one just wasn’t finished yet. Another couple hundred words and it really would be something worthwhile.

Now I’m curious to see how the rest of the gang judges my submission.