What Time Gets You

I like to be clean, so every day I go into my bathroom, and I have a choice to make. Do I take a shower or a leisurely bath? If I have to be somewhere soon, I take a shower. If I have nowhere to be and nothing else to do, I might indulge myself in a bath. No one is allowed to disturb me in the bath (unless they’re bringing in champagne – that’s always allowed), and I normally stay in until I wake up because the water has gone cold and my fingers are so pruney they hurt. A bath isn’t something I can rush through. I can’t even start the water running unless I know I have a good long time.

I just got the latest round of comments back on the manuscript I’m working on. My mentor loves the premise, loves the characters, but thinks that I need to get further into the characters. His comment was that the changes I had made to my manuscript were “workmanlike.” I have to admit. That stung. On the other hand, he loves the story so much that he couldn’t keep himself from rewriting big chunks of it – he said he couldn’t resist. What he suggested was that I take a bath in my manuscript. Give myself the time to get all the way into it, so that I can inhabit the characters, play with them, live inside their skins and let them have their own reactions rather than the reactions I’m writing for them.

It turns out my mentor lives alone. His time is his own to dispose of however he chooses, so when he says “it may take you 8 hours to get the first page right,” he doesn’t necessarily realize that I do not have 8 hours in a row to devote to this ever. Between driving the kid to school, laundry, watering the garden, taking the dogs out to pee every hour or so, there is no such thing as 3 uninterrupted hours, forget 8. I would love to be able to say that I’m sitting my office turning out my masterpiece and my husband and child keep coming into my inner sanctum and disturbing me, but that’s not the case. It’s usually me going out into the rest of the house and demanding kisses or tea or a bite of whatever they’re eating.

Virginia Woolf posited that for women to write fiction they needed money and a room of their own. I have both, but what I don’t have is the conviction that it is right for me to use them. So, it’s not a lack of time or talent that’s keeping me from my literary goals. It’s will.

The Anti-Social Network

Today, I told Facebook that I couldn’t play with it anymore. Not anymore ever again, but it’s been getting more of my attention than it should, and I’m a student with a lot of homework to do.

But what do I do with all that stuff that crossed my mind that I didn’t stick on Facebook or Twitter or anywhere else? I thought I’d put it here, in one giant list, just so that you know that I’m still thinking, even when I’m not compulsively posting it and then compulsively checking to see if anyone “liked” it.

In no particular order, my random thoughts: 

  • I finally figured out why my pedometer keeps showing me working out vigorously at ~7:50 every day. It’s because at ~7:50 every day, I am on a particularly bumpy, pitted and frightening piece of road driving my kid to school. I’ll take it, though. Keeping the damn car on the road is hard work, especially when I haven’t had a cocktail in at least 12 hours.
  • Ontologist: a medical specialist in ontology, specifically in curing it. I envision them sort of like the Guild of Assassins in Pratchett’s Discworld.
  • You know what power smells like? The mushroom funk of money? No. Money has no smell – not anymore. Money is now a plastic card plugged into a convenient fiction. The bordello whiff of perfume with its undertones of crotch and armpit? No. Sex doesn’t have the power you think it does, even if you can thread it in one orifice and out another and do it all day for a week at a time. Once people are sated, they’re just as treacherous as ever. No, power smells like urine. You make someone piss themselves and you’ve got them forever. They’ll never forget it, and neither will you.
  • Is “mimetic verisimilitude” redundant?

By the way, I cheated. I know I said I was staying away from Facebook, but I just had to peek. It’s very strange, peeking at people who know that they’re being looked at, just not by you. Everyone’s looking at each other, trying to catch one another’s eyes and positioning themselves so that the other people in the virtual room can see them to their best advantage. Meanwhile from the outside everyone looks a little alone, a little vulnerable. I closed the door very quietly and went away for a good cry at the beauty and sweetness of it all.

To Tell the Truth

When we talk about writing, one of the most basic dichotomies is “fiction” and “nonfiction.” We tend to think of “fiction” as things that somebody made up, and “nonfiction” as things that happened and are being reported on.

Except that it’s just not that easy.

Let’s say that you go to a sporting event in a big, crowded stadium. The game is over, and as you’re going to your car, two guys in front of you get into a fight. There is scuffling, punching, blood flies. After a few moments, the two men separate and go to their own cars, each throwing hostile glances over his shoulder at the other guy. What can you say about that? You can report the facts (and by “facts,” in this case, I mean “scenario I made up out of whole cloth”). The problem is that each of those guys will come to you and say “That’s not what happened,” and will then explain to you that the other guy spent the entire game winding him up, insulting his team, insulting his wife, his mother, his choice of beers and then, as they were leaving, the other guy started it.

Do you put that into your story? If you choose not to, can you still call your story “nonfiction,” since you’ve chosen to leave out pertinent facts? If you find out that one guy has a long record of convictions for assault and the other guy recently went off his lithium, do you put that in? How about if one participant was Chinese and the other Argentinian? Or that one was 75 years old and the other on crutches? Do you even know if that had any bearing?

The point is that even newspaper reporting, the gold standard of “just the facts” writing, is skewed toward a certain point of view. The reporter chooses from the available, verifiable facts only those that seem most pertinent to the story and leaves the rest out, no matter how much the rest might mean to something like a criminal investigation or a civil lawsuit.

But where nonfiction is concerned with taking all of the available details about a situation and picking and choosing among them to craft a certain kind of story, fiction writers have exactly the opposite job. They start from the story and pick and choose what details to add to support it. This is where verisimilitude becomes critical. Verisimilitude means that a literary work depicts something real, something believable. To Kill a Mockingbird has verisimilitude. The Story of Babar does not.

Verisimilitude is different than the truth, because, to quote the old adage, “truth is stranger than fiction because fiction has to make sense.” So if you depict Leonardo da Vinci leading a robot army, no one will believe you, despite drawings he made of both armored tanks AND robotic knights. If you portray American cowboys calling police “pigs,” no one will believe you despite the fact that the use of the word “pig” to describe police dates back to the 19th century.

If, as fiction writers, we want to talk about something that actually happened, but “fictionalize” it, that is to say make it seem like something that happened in a different place at a different time to different people so that we don’t get sued or socially shunned or beat up, we have to double back on the whole “make the scene up from scratch” scenario. We have to take a real event, take out telling details of one kind (and we decide what kind that is), and leave in details of some other kind. But then we have to replace the stuff we took out with stuff that we make up, and we have to make sure that the stuff we put back in keeps the story the same. That’s where it gets so, so tricky.

I want to talk about my best friend who skinned her knee roller skating when we were 9, but do I leave in the roller skates or the fact that we’d ditched school to do it and she couldn’t go back to school with a bloody knee, or that her dad beat her for ditching school and never let her come to my house again? (And no, that never happened either.) What do I take out and what do I leave in to create the same story of risk and error and loss without putting either myself or my former friend at risk?

These are the really hard choices we make as writers, and every time I find myself in this situation, I always have to ask myself “why does this matter”? If what matters is that I feel I was unfairly scapegoated as a child, then I can tell that story any number of ways. If what matters is that my friend’s father was an abuser whose only punishment for any infraction was a beating, that’s a different problem to solve.

At the end of the day, it’s down to the individual writer to decide what they’re writing. How much do you want to massage the facts of an event you witnessed and are presenting as the truth? How much do you want to stick to believability when you talk about a fictional meeting between two famous people? How much do you want to protect the people you know in real life when you’re putting them into a story that may or may not have ever happened?

In the Air

There’s the group of people you see at the baggage check-in. You scan the crowd, wondering how many of them will be on your flight. How many flights can one airline have leaving one airport at the same time, after all? There’s the young couple with a baby and far too much luggage, the rich older couple with no baby and far too much luggage, the gaggle of scruffy students, a whole herd of businessmen in indistinguishable rumpled dark suits, carrying either a laptop or the Wall Street Journal.

You move through the airport check-in process in this instacrowd of fellow-travelers, beginning to bond with them in preparation for the flight. Oh, good. The couple with the baby will be on this flight. There they are at the gate, handing the baby Cheerios which it flings onto the carpet in a 4-foot circle around them. Most of the students aren’t on this flight. This is the time of year they’re all heading toward somewhere coastal, and you’re not. But most of the businessmen are with you, ensuring that you will both not have to talk to anyone on the plane and that you will not get to use at least one armrest.

Now it’s a matter of narrowing down who’s going to sit near you. Not the baby. Please, not the baby. But it’s a couple. The man and woman each pull out something to read and talk neither to each other nor you. You sit by the window and put your jacket over your head and think that you might sleep for the two and a half hours it’ll take to get there. Maybe more. It’s raining now.

You won’t sleep. The plane jumps up and down in the air, a prop at the end of a string held by a small child bent on childish entertainment. The captain does not turn off the “fasten seat belt” light, and you wish that there were more straps to keep your head from hitting the seat every time the plane dips. The flight attendants can’t serve beverages and are still sitting in their fake little seats, their fake smiles rigid on their faces. The baby is hysterical.

The feeling of falling, powerful every time the plane dips, then less so as it recovers, comes on and does not stop, although no instructions have been issued by anyone. The sounds of the plane’s engines are being drowned out by the sounds of the passengers wondering what’s happening, gasping at each new jolt, someone near you has begun crying softly.

You take the jacket off your head and see that it’s the woman next to you who has put down her book and is now snuggled into her partner’s chest. He has wrapped his arm around her and is stroking her hair, looking around the cabin for someone to do or say something. The captain comes on the overhead to say that you’re experiencing “extreme turbulence” and that any passengers not in their seats should return to their seats at once and buckle up. He is going to land at the nearest airport.

The plane is going down. It’s below the clouds now, and you can’t see much out the window because the rain and ice are pelting it so hard that the windows are curtains of water. You hope there’s an airport below you to catch you.

There isn’t. The pilot announces that he’s making an emergency landing, and barks at the flight attendants to do something airplane jargony. The flight attendants do not move. There is nothing for them to do.

The jolts come harder and faster and it’s difficult to tell exactly when the plane hits the ground, except that the noise coming from the other side of the plane is the loudest thing you have ever heard. Even so, is this really happening to you? Things are being thrown around the cabin – women’s purses, paper coffee cups, magazines, and you wonder who will clean up the mess. The seats at the front of the plane suddenly seem to be going uphill, like you’re at the back of a roller coaster heading upward. People are screaming, but now the noise has a distant, tinny quality to it. Someone has gotten out of his seat, and he flies into the air and lands two rows back on top of three people who scream and try to push him away. A section of overhead bins toward the front cracks, breaks, falls onto the heads of the people below it who put their arms over their heads and scream. And now you’re wet and cold because the plane is sideways with a large hole in it where the rain whips in. You’re all still moving. The plane is still skidding along the ground, and it seems you’ve all been strapped to a bullet fired at the ground for an impossibly long time. You feel both weightless and leaden, and you can’t tell whether you’re breathing.

And then the cataclysmic noise stops, and all you can hear is the rain, and people crying. So many people are crying.

What I Have

There’s something very uncomfortable about having. The recent protests against the profligate rich have framed the debate as being between the haves and the have-nots, but those labels can be applied to any group who feels oppressed. Any group fighting for civil rights is a have-not. Frankly, anyone who’s in a position to feel dissatisfied with their lot probably thinks of themselves as a have-not. And they despise those who have.

graph showing average income

It only takes a little over $150k a year to be in the top 10%, and the more you make, the closer you are to the 1%. In California’s Silicon Valley there are plenty of firms paying this kind of money.

 

So, if you have money, you can’t possibly feel good about it. Even if you donate to charities, help the poor, etc., you’re still a rich bastard living on the backs of the poor.

My father, who is on the Board of Directors for the ACLU in Arizona, does a lot of work on behalf of those people who are being racially profiled and unfairly persecuted by local government. Arizona is a haven for old, scared, politically conservative white people, and the government there thrives by playing on their fears. My father is Mexican, and looks it. My mother, on the other hand, is Scottish. I look like my mother, and therefore, no one would ever think to ask me for my immigration papers if I were ever to be pulled over. But that fact causes me nothing but shame, as does the fact that I was born in Arizona in the first place.

I’ve been happily married for nearly ten years to a man who’s interesting to be around, well-read, likes thoughtful political discussions and foreign films, etc. In short, we’re very well suited and get on like gangbusters. We often hear remarks from people about how obvious it is that we have a great relationship. That’s heartening, but I also hate to bring it up, because I am friends with a lot of people who are either in crappy relationships or wish they were in some kind of relationship but aren’t.

I guess the long and the short of it is that I’m happy. I have a good life, and I’m enjoying it, but at the same time I’m eaten up with shame because I know that so many others aren’t happy, and a lot of them think that I don’t deserve to be happy either. I don’t think anyone’s so unrealistic as to say “If every single person on earth can’t be happy, no one should be happy,” but it does seem that an alarming number of folks live by “if I’m not happy, nobody should be.”

I hope that a lot more people are like me. Enjoying happy, fulfilling lives, but doing it quietly, so as not to bother anyone.

False Modesty

Raise your hand if you didn’t know I’m an introvert.

No one? Good. You’ve all been paying attention.

Woman with two women in background

Unless your entire conversation is about “Here’s what’s going through my mind about you right now,” you have no idea. And even then, they could be lying.

 

One of the hallmarks of introversion is the tendency to spend a lot of time and energy thinking about how others perceive and receive us. “Does he understand what I mean?” “What did she mean by that?” “I shouldn’t have said that.” “He hates me.” One of my greatest fears is being boring, so I remember things that people talk about that have bored me and I avoid those topics.

At the top of the list of boring subjects is complaints. That’s not to say that a friend or family member relating pain or privation is uninteresting to me, but you know the kind of people who can’t have a conversation without it being a litany of the injustices done to them. They hate their jobs, their friends disappoint them, their families are a misery and they have no hobbies or pursuits that bring them joy. These people think that the world is out to get them, and if you don’t participate in their view of the world, you’re against them too. I want to say “I understand that you’re going through a hard time and I wish there were something I could do about it,” but that’s where my expertise ends. I usually can’t do anything about it, and I feel horrible about that.

I’m no different than anyone else in the world in that I have problems. The most visible of my problems is my weight, which is a constant source of aggravation to me, but there are plenty of others. I hate talking about the crappy little day-to-day things that drive me crazy because I can’t imagine that anyone would find those things remotely interesting. I don’t find them interesting, and they’re my problems.

The drawback to not talking about the things that aggravate, confuse or frustrate me is that to the people I speak to most often, I come off as either never having any problems or as not caring about the ones I do have.  I’ve heard from several people I admired who’ve said “But you seem like you have everything together!” Which floors me every single time, because I tend to look at the world as though everyone in it knows something that I don’t and I’m constantly playing catch-up.

I’ve realized a common trait among the people I admire most: they’re all able to distill their own internal states and report them honestly with no fear of judgement. What does that do to people they interact with? If I say to someone “How are things?” and they say “Not great, my dog is sick and I’m distracted with worry,” I feel a few things:

  • I’m grateful that my friend has shared something important with me
  • I understand what tone the conversation should take and if my friend’s reactions are subdued or distracted, why
  • I know not to make demands on them because they’re not themselves

What this tells me is that I need to get better at being not just more honest, but more complete in my communication with people. I need to stop pretending that I’m always fabulous and ready to give my utmost to everyone, because I’m not. I want everyone to think that I’m always available to them, but I’m doing them a disservice because the truth is that I’m not always able to give people my full attention. Sometimes, life distracts me and I am unable to look away. I’m not better than anybody else just because I don’t admit to it.

A Phobia is Irrational

This past weekend, I attended my sister’s wedding. I had met her partner (now wife) once before at a family gathering in Phoenix, and so didn’t know much about her. She’s an organizer of educational programs for adults and children in Chicago, she’s a talented musician and artist, she and my nephew get along very well. Those things I knew.

Waterfall with rocks and water. Like most waterfalls.

The guests stepped carefully across these rocks to a lovely garden overlooking the pond.

The ceremony was held Saturday morning at Osaka Garden, a lovely Japanese garden hidden away in Jackson Park. After the ceremony, there was a four-hour wait until it was time to head to the reception, and I was lucky enough to get to drive to the reception with my new sister-in-law. I asked her all the usual questions – how did you meet, is this your first marriage, how does your family like my sister…

It turns out that while her family loves my sister, they don’t want her as a daughter-in-law. At least, not if it means marrying their daughter. If my sister were to marry one of their sons, that’d be fine. But not their daughter. They’ve never been accepting of their daughter’s sexual preference (as though it were their business to judge in the first place), and so they’re dismissive of both her relationships and now her marriage.

I listened to her tale of rejection and homophobia with an increasing sense of outrage. My sister is a clinical psychologist in a respected program doing amazing work in Chicago. For twenty years, she has fought tirelessly to end violence in Chicago and throughout the world by understanding the social underpinnings of violence and seeking to disrupt the situations that produce it. She’s testified before Congress, been flown to other countries to introduce these methods to other places having similar issues, and is called upon night and day to give her input on complicated and potentially explosive situations. In addition, she is the kind of person whom all her friends call for anything and everything. She is the kind of person that everyone counts on. She and her new wife met because the wife’s sister used to work with my sister and when her son was in an accident, my sister was at the hospital reading to him, rubbing his feet, giving him pep talks, every time his aunt came to visit. She was so impressed that she knew she had to get to know this woman better. In short, my sister is a catch. The kind of person everyone wishes they could be with.

But she’s not good enough for her new wife’s family because she’s not a man. If she were, and were exactly the same kind of person, women would be falling over themselves to be with her. She would be Chicago’s most eligible bachelor. But because she’s a woman, and a woman in her 40s at that, she’s not good enough.

That kind of thinking makes me angry. It makes me want to shake people and say “Finding someone you love and who loves you in return is hard enough. Why must you make it even more difficult?” It makes me want to say “Don’t you realize that having my sister in your family raises the tone of your family considerably? That having your family connected to her makes you guys look really good?” But no. Instead of embracing the fact that their lovely daughter had what it took to get my sister to decide that she was the best candidate for life partnership, they reject the whole notion. They reject the fact that my sister can be both a phenomenal human being and a lesbian.

Maybe that’s it. I hate the word “lesbian” just like I hate the word “gay,” because it makes me feel that if you have to qualify it with a different noun, you’re setting up a judgement. A hierarchy. I am in the middle of writing a novel about a sculptor who falls in love with his model, although the model believes himself to be a saint, and so can’t return that love. Much of the commentary has been around the “homoeroticism” of the work, and I feel moved to tell people “It’s just eroticism. It’s not ‘homosexual love,’ it’s just love. There’s no need for an adjective; it is what it is.”

There’s no need for a judgement of my sister and her new wife. They are what they are. And they’re both amazing.

The Last Thing You Do

My last memory of my mother is of a tiny white dot, high in the sky above me, and a thin wailing sound as the wind carried her hot air balloon out over the sea.

I hung on as long as I could, the rough surface of the wicker basket creaking and cutting my palms as I struggled to pull myself into the gondola of the balloon, giving it a bit more ballast. Alas, I have never been athletic, and in this moment of desperation, not even my fervent wish and urgent need were enough to achieve the impossible and lift my leg over the edge of the gondola. Instead, fate, fear and lacquer conspired to make my sweaty hands slip, sending me tumbling sideways the forty feet to the ground where I crashed, and, as I found out later, broke both my humerus and my clavicle. Mother would never have survived the fall.

As I watched the balloon lift and mother went from a doll to something even tinier and therefore more unreal, I could still hear voice high above me.

“Tell your father I never loved him!” she shouted, wiping at her face. “I always despised him and I’m glad to be leaving!”

The pain in my body caused the world to ripple and shimmer, and the pain of seeing my mother drifting uncontrolled out to sea was a crushing weight that kept me from floating up into the sky after her, but this bomb that she dropped from sixty feet up hit me and drove me into the ground.

“What?” I yelled, not because I hadn’t heard, but because I hadn’t believed. We’ve all done that.

“I hate your father. Just tell him!”

I clasped my hands to my heart, worried that the pain I was feeling might be a heart attack, although I dismissed that notion because to have a heart attack at a time like this would be self-indulgent and attention-seeking. She must have thought I was sad. It was true, but to say I was sad is like saying that the universe is big. It’s a word so out of scale as to be wrong.

“I love you. Never forge…”

But I may have made up the last bit of that. The “I love you” was almost audible, but it may have been a seagull somewhere near as well. She was too far away for me to hear anything properly, and all I was left with was her saying she hated my father. I stood there, my toes hanging off the edge of the cliff, and toyed with the notion of stepping off and flapping my arms.

While everyone in the world who wasn’t us looked for her, a tiny old woman in a hot air balloon with inadequate ballast, a non-intuitive steering mechanism and a picture of Buster Keaton as a young and handsome man painted on the side, my father and I sat at the kitchen table and stared at each other and two cups of stone cold tea. I thought about telling him what she’d said, but the more I thought about it, the more angry I became.

How dare she. How dare she burden me with breaking the news to my father that their 42-year marriage had been a sham. How dare she intimate to me, in what may well have been her final moments, the notion that her life had been unhappy. I love my father. He’s a kind, gentle, unambitious man whose dahlias win prizes that he donates to charity and who writes letters to the editor in which he says that So-and-So is really a much nicer person than anyone gives them credit for. How could she have saddled me with the task of breaking his heart? I joined them late in life, a miracle baby when my mother was on the cusp of menopause, and I had always thought that she and my father had always wanted children and that I had dispelled their disappointment. It would never have occurred to me that I had caused it. Why did she feel it necessary to ensure that she took from us not just herself, but any happy memories that we might have of the time she had spent with us?

“What is it, sweet pea?” my father asked, patting my hand with his own. The blank, blasted shock on his face had been replaced with concern for me. As though I had witnessed her being drawn and quartered, rather than being swept away in a balloon.

“It’s the last thing she said. I just don’t understand.”

“What was it?”

I drank off the last of my cold tea, gagging a little but preferring to gag down cold tea that had been coddled in the first place to telling him what she had said.

“She said that she never loved you. That she hated you.”

I broke down crying, putting my arms out for my father to comfort me, but he didn’t. He couldn’t.

On the anniversary of her disappearance, with no body to bury, no ashes to scatter, no reason to even observe because she hadn’t been officially classified as dead yet, Dad and his new girlfriend and I all went to the cliff. The ruts in the ground that the gondola had made as it scraped its way toward the cliff edge had long since eroded away and filled in with grass, but I imagined I saw them. On the day she disappeared, the sky had been mercilessly blue, allowing me to imagine I saw her for an impossibly long time. Today, a frosting of cirrus clouds obscured the furthest reaches of the heavens, and protected the three of us from having to say anything. I didn’t tell Mom that Daddy and his girlfriend were talking about marriage, that I had been accepted to college and was packing my things to leave in three weeks. I didn’t tell her that only a year after her leaving, first by blowing away, and then by rejecting us, we were fine.

I have always held the suspicion that she lied.

My Taste, Your Taste

Last night, the Pirate and I opened a bottle of red wine after dinner. We were still drinking the wine when we retired to the bedroom to get ready for bed. The Pirate brushed his teeth before he’d finished his wine, and when he came back into the room and took a sip, he made a weird face.

“That’s interesting. After brushing my teeth, this wine tastes like…chocolate…and cheese….” He was doing that thing people do when they’re trying to describe a taste or sensation they’re experiencing: looking around in the air above his head as though the answer were on one of the hundreds of postcards attached to the ceiling.

Postcards on my bedroom ceiling

I started collecting these in college, and still pick up a few whenever I go someplace cool. If you sent me one, I’d put it up and think of you when I looked at it.

He wanted me to taste it after brushing my teeth, but I declined. I feel certain that if I had done the experiment, I wouldn’t have tasted chocolate OR cheese, and it led me to wonder – when I eat chocolate, do I taste the same thing my husband tastes? Or that you taste? I know that when I drive past a skunk that was hit by a car, the skunk smell is exactly the same to me as the smell of roasting coffee, and yet I know people who say that the smell of roasting coffee is pleasing to them, but the smell of skunk is disgusting – how can they make a distinction between them? To me, they’re identical.

People can distinguish five different tastes: sweet, bitter, salty, sour and umami. In addition, they can distinguish seven different types of smell: musky (the smell of perfume), putrid (rotten eggs), pungeant (vinegar), camphoraceous (moth balls), ethereal (dry cleaning fluid), floral (roses) and mint. Here’s what I’m not sure about: a given food contains a set of chemicals that make up its flavor profile. Every eater of a given food is working with the same set of chemical inputs. Why, then, the differences in perception? Is it a difference in body chemistry? Is it a difference in brain wiring? Both?

How much does our sense of taste play into our food and drink addictions? A Google search of the words “fast food addiction” shows 16.6 million results, including studies that show the addictive properties of fast food. Those addictive properties are tangentially related to taste in that the pleasing taste activates the brain’s pleasure centers – one article outlines the addictive ingredients in fast food including monosodium glutamate (a prime component of the “umami” taste) and casein, a naturally-occurring protein that, in fast food, is pumped up to past the danger point.

I’m not addicted to fast food. I can’t afford to be, since I’ve been battling a weight problem all my life. My husband, on the other hand, is naturally thin and has no real fondness for the things I have the most trouble with – baked sweets, chocolate, cheese. It feels unfair to me that because of an accident of chemistry my husband can maintain a healthy weight despite eating an enormous amount (I know, part of it is that he’s a man and therefore has more muscle mass and a higher metabolism, in addition to the fact that the man is two meters tall and therefore has a lot of guy to feed) while I have to consider every bite that goes into my mouth.

On the other hand, I also like to think that it means that I have outlets for enjoyment that are closed to my husband, who doesn’t equate the taste of white jasmine tea with love, or the flavor of Ezekiel bread with independence. In that way, I’m the lucky one.