Back in the Saddle Again

I’m back in Southern California for the third of what will be five residencies for grad school.

For the first half of the day, I felt like a different person! I was walking down the halls greeting all my old friends and smiling and saying hi to new folks. I got hugs from the faculty and walked around feeling like the grandest tiger in the jungle. At the end of the day came the opening night dinner where the head of the program was going to announce the launch of the second edition of Lunch Ticket, the MFA program’s literary journal (for which I am editor-in-chief), and I wanted to be there for the announcement, since I thought it would look bad if I didn’t show up, especially since I’d been talking the journal up to everyone I talked to all day.

But then came the part where I had to pay for it all. By the time I finished dinner, I was so exhausted I wanted to cry. I drove back to my hotel and talked to my family (always a balm) and just sat in my chair and spaced out for a while. If it weren’t dark and a not-great neighborhood, I would have gone for a long walk somewhere. I feel exhausted. I would love to take tomorrow off, and tomorrow’s only day 2.

I heard an  amazing talk from agent Peter Riva about the state of the publishing industry, where he talked about the fact that in the 30s and 40s, people bought books because they were excited about the author – Hemingway, Faulkner, etc. Then came the days of the big publishers and people bought books because they were excited about things that came from Harper Collins or Knopf. Now we’re back to people following authors, so authors need to take responsibility for getting their names in front of people’s eyes and keeping them there. He talked about what to expect from a good agent, and what to expect from a publisher. I’m looking forward to the second part of his talk tomorrow morning!

Then came the presentation for those of us who will be writing our critical papers this term. It was all about distilling your question into something researchable and how to write it in a way that’s engaging. I decided a month ago that I will be turning my critical paper into a TED talk that I will present after my graduation. I’ve set out a heck of a path for myself.

I’m finished with my paperwork for the day. I’m hitting the hay. I wish I was home.

Winning

Back in 2002, my buddy Ian sent me an email at work asking me to check out this crazy thing these guys were doing. The email contained a link to the clunky, hilarious site for National Novel Writing Month –  Nanowrimo. Before I replied to my friend’s “whoa aren’t these guys crazy” email, I signed up.

That’s 2002. The year that my grandmother died (11/1), I drove to Phoenix to attend the funeral (11/9), and I got laid off (11/14). I was so hyper about NaNoWriMo that I actually started early, just to make sure I would finish on time. I started about 10/24, and by Halloween, I had nearly 10,000 words already. And on day 1, I chucked them all out and started all over again on an entirely new story. I finished the month with just over 83,000 words, “winning” handily.

In 2003, I started with a decent plot, but I made a horrible mess of it and never re-visited it, even though I got to about 75,000 words on it. I don’t even remember what I wrote the next year, but I won. And the next year, and the next year. By 2009, I had pared my actual writing time down to about 10 days. Nowadays, my ability to write quickly is only limited by my typing speed, so I can get nearly 2,000 words an hour, which means that I’ve had several 10,000-word days. For several years, I was the ML for my area, flogging my Wrimos into action.

This year, I’ve just come through a brutal grad school quarter. I’m taking one of those stories I wrote way back in 2002 and expanding it into a novel. My mentor is a hell of a taskmaster, calling me on my shit every step of the way. I was also doing a paper on a subject I was only marginally invested in, and doing a translation seminar that I hated. I always knew I had no aptitude for languages, but now I know that I have no aptitude for translation, and doing with a bunch of other (more enthusiastic) people makes me want to stab myself in the throat with a highlighter.

I’m the editor in chief of the MFA program’s literary magazine, a job that involves reading, editing, approving, emailing, soothing, scolding, and otherwise managing every single thing that goes on for the magazine. I know that the editors feel put-upon at times because they’ve got a lot going on, but this has been close to a full-time job for me. I have to keep reminding myself that the last guy who did this had already graduated.

All this is to say that I never got past 18,000 words on this year’s novel.

I thought that failing for the first time in a decade would crush me. I thought that I would look at my life and my inability to complete a task I have, in the past, breezed through and feel that I was a horrible failure of a human being. I thought I would at the very least feel some kind of a twinge of guilt.

I didn’t.

At first I kept telling myself “it’ll only take you a few days, don’t freak out, you can do it later.” Then I realized that I would never have anything that was a lower priority than writing a brand-new novel. I’m not working on brand-new right now. I’m working on perfecting stuff that already exists. I’m working on getting other people’s works into (electronic) print. I’m working on my invention that’s within spitting distance of making a Tunguska blast in the way people think about books.

I realized that every single thing I was doing – helping my kid prepare for two concerts within three weeks of each other, getting my magazine Lunch Ticket out the door, being spectacularly ill for a day and a half – every single bit of it was more important than creating a new novel that I wasn’t invested in yet.

Don’t get me wrong. I have three or four new novels I would love to be writing. But I’ve made a decision. I’m going through the exercise of grad school to figure out some stuff about writing not just literature that’s commercially salable, but about writing literature that’s good, and one of the first things I realized was that you can’t just write first draft after first draft, give them a cursory polish and then if an agent doesn’t like them, blame the industry and self-publish. Well, you can, but I won’t. I’ve decided that I am going to make this thing I’m working on into the most exquisite jewel in the world. A Fabergé egg made out of diamonds and crushed pearls and unicorn tears and sunsets over fairy castles and moonscapes with magic dragons flying over them.

And if I’ve chosen that over creating something new and (inevitably, for me) crappy, I think I’ve won.

Who Am I, Again?

As I walk down Highway 9, I can smell the wet-redwood smell and hear the tinkle of the rivulets from the recent rain forming tiny streams that will trickle into the San Lorenzo River all of 20 yards away across the street. I feel awkward, unsteady on my feet, but otherwise fine.

I’m  just passing the laundrette when a car with two people comes toward me from the south. The car pulls in, blocking the parking spots in front of the laundrette, and the driver, a woman in her 50s, smiles at me. Her passenger, a small man with a mustache, doesn’t look at me.

“You’ve been out long enough. It’s time for you to come back.”

I freeze. I don’t know this woman. I’ve never seen her before. I turn and run back the way I came. The woman has gotten out of the car, as though she meant to open a door for me or something, so she has to get back in and start the car back up. I run straight up the street, stumbling over redwood roots and clumps of foliage since there’s no sidewalk. Dashing across the street, I run down the driveway of a house set back from the pavement. The driveway slopes steeply downhill for about 50 feet and the entrance is partially obscured by redwoods, so I hope that the woman didn’t see me.

The morning overcast, compounded by the shade from the redwoods overhead, mean that the house is in shadows except for the kitchen. Through the open door, I can see a man at the table with a cup of coffee and a newspaper. I don’t bother knocking.

“Help me!” I shout as I run across the threshhold and stop myself against the table. “There’s a woman chasing me! I’m afraid of her! Please, you have to help me!”

Cliff put his paper down. He was thin and slight, with a fringe of thin white hair that went from one ear to the other around the back of his head, set off by a deeply-tanned dome up top. He wore a vest and a white button-up shirt with the sleeves rolled up, and had half-moon reading glasses perched at the end of his nose.

He looked across the table at the woman who had just burst into the kitchen. She was in her late 30s, maybe. Fit-looking, long, curling brown hair hanging lose around her shoulders, a face that would be attractive if it weren’t drawn with worry. She was screaming that someone was chasing her. He’d been expecting it. He put the paper down in front of him, exposing the photo of the same woman, taken at a time when she hadn’t felt under threat. I thought she looked pretty, but he didn’t care for her kind of looks. He was all eyes for his wife. I have a weakness for men who are in love with their wives.

Herb came in from the garage. He had heard the commotion and came to see what it was, and he stood in the doorway looking from Cliff to the woman, back to Cliff again.

When the second man comes in from another room, I feel like I have to start over in my story, although I haven’t really said anything. I can’t talk to the guy at the table because, in some ridiculous way, he reminds me of a shoemaker. The second one is fatter, with black, curly hair. The pink of his cheeks make him seem a little friendlier than the dour shoemaker.

“Help me. There’s a woman. She stopped her car in front of me and told me to get in. I’ve never seen her before,” I’m trying to create some kind of flow, some list of the facts that will make these two men understand why what just happened terrifies me, although the longer I stand in this cheerfully-lit kitchen in front of two men with quiet expectation on their faces, the less sure I am about why I was so scared.

“Who was she?” the shoemaker asks.

“I don’t know.”

“What kind of car was she driving?”

“A light tan sedan with white interior, but an older one.”

“Was she alone?”

“No, there was a man in the car with her.”

None of their questions sounds like they don’t believe me. They both look friendly and interested. I think if they thought I was crazy, they would look different, but I’m not sure how. I open my mouth to say something else, but I have no idea what else there is to say.

“I. I. I don’t think I’m … human.”  I didn’t expect to say that. And still the men don’t look skeptical or condescending or even surprised.

Cliff pushed a button under the table. The bookshelf behind the kitchen table slid back to reveal a hidden niche with a phone in it. He picked up the phone and pushed its only button. “Gary? She’s here.”

Herb brought her a cup of tea and took her into the living room. He told her to take a seat on the sofa, handing her the tea once she was comfortable. He kept up a steady stream of soothing words, and none of them sounded like the kind of words one uses to keep a lunatic calm. They were more like the kind of words that one uses to reassure fellow combatants just before a battle.

“We’ll get through this. Help is coming. We’ve got a plan.”

Before anyone could talk about this plan, another woman burst through the now-closed kitchen door without knocking. The woman in the living room, hidden in shadows, froze, but Cliff and Herb regarded the new intruder.

“Hello! I’m sorry to burst in on you like this!” Her bright, cheery smile looked straight out of tv, and she pulled an iPad out of her shoulder bag. The screen showed the woman in the living room, in the same photo as the newspaper showed. Herb moved between the new woman and the kitchen table, and while he was obscuring the table, Cliff quietly folded up the paper like he was done reading it.

“A friend of mine is missing,” the woman continued. “I’m really worried because she needs medication and she’s missed several doses. She’s not well, and we need to find her before something bad happens to her.”

Neither man said anything, and both kept their faces pleasantly neutral, but as Cliff came around the table craning his neck like he wanted a closer look at the picture on the screen, he pulled a gun out and took a shot at the woman. His arm had been in motion and his shot went wide, the bullet hitting the wall behind her and to her left. The woman’s smile disappeared and she shoved her hand back into her shoulder bag, dropping the iPad and bringing out a pistol of her own, Herb had ducked behind the door to the garage and was shooting at her from there. Cliff crouched in the hall doorway. The woman was backing into the doorway she had just come in, but it was a mistake. She was exposed, and before a dozen shots had been fired, she was down. Where had the guns come from?

When the shooting stops, I get up off the couch. The woman’s body doesn’t look right. There’s whitish goo puddling on the floor, and swirls of oily black, and the skin around the bullet holes looks like burned fabric. The men are good shots – there are seven bullet holes in her.

“You okay?” the shoemaker yells from the hallway leading off the kitchen.

“I’m good. She grazed my arm, but it’s fine. You?” the fat one yells. I’m glad he’s not hurt.

“Never touched me. They’re lousy shots.”

The shoemaker comes back into the room and looks at me. “You should go back into the living room. There’ll be more of them.”

I bend and pull the iPad from the woman’s bag, but when I try to turn it on, the screen is locked so I can’t see it.

“Here, let me have that,” the fat one says, taking it gently from my hand and leading me back into the living room. I’ve just sat down when the man with the mustache comes in, gun drawn. I’m afraid to move, because I know that I’m in shadow, so as long as I’m still, he won’t see me.

The mustache man comes in, but before he can fire a single shot, the fat man, hidden in the shadows of the living room, shoots him three times in the head. Before he goes down, the mustache man turns and looks the fat man in the eyes, his face expressionless. He raises the gun, then falls over the body of the woman. I know that I should feel something about this. It’s not natural to be in a position like this and feel nothing. But apart from a confusion about who these people are and why they want to kill me, and I presume they do want to kill me, I feel nothing. I continue to stay absolutely still, and the two men talk so quietly in the kitchen that I can’t hear them.

From outside, more shots. It occurred to me to wonder how long it would be before the police showed up. The two bodies lay in the doorway,  and Herb and Cliff had to sort of hop over them to get out the door. From inside I could hear voices, but because everyone was yelling back and forth, it was impossible to tell whether they were friendly or not. The woman was frozen, standing next to the couch, not even daring to turn her head to look around her. Only the occasional flicker of light against her moist, slick eyeballs betrayed their movement from the bodies in the doorway to the curtained window.

Through the window, only a sliver of the view shows through. The drapes are a golden color, and they frame the green of the shrubs outside like the filling of a pie oozing out when the golden crust is first cut. Flashes of color cut in front of the green and I get ready to duck, or to run, or to do whatever I will need to do, even though the woman is dead and I’m not sure that if someone I don’t know comes through that door I’ll know whether they’re friendly or not. Something nags at the back of my mind. Those things in the doorway. I can’t even call them “people” or “bodies” anymore because they look like nothing but machines. Am I like them? One of them? Are machines self aware? Does my computer miss me when I don’t open it up? Does my smart phone think I’m stupid? If I’m one of them, why did they want to kill me?

Did they want to kill me?

When Herb walked through the door, she almost burst into tears. She stumbled out of the living room, fell into his arms, stood there, weeping and shaking for a long moment. Once the crisis was past, he stood her back up and helped her sit down at the kitchen table. Cliff came in, followed by Gary. The men carried the bodies into the garage, saying nothing as they worked. When the bodies were gone, the woman stole back into the kitchen and sat down at the table. She snuck the paper open, looking for the picture of herself. It was buried deep in the B section of the paper, on page 8.

I’m still not sure what I’m reading. I see my face, but I can’t make out the words. It’s like trying to read in a dream, where you know that it’s writing, but the letters morph, or they’re unfamiliar glyphs or they’re in nonsense configurations. But there’s my picture. It’s me. And I can’t understand why I’m seeing my picture and, at the same time, seeing me sitting at the kitchen table, looking at my picture. Is the me standing a few feet away being watched by another me who sees her seeing me seeing the picture? How far out does that recursion go?

The men aren’t back from the garage, and I can’t hear them talking or working or anything. I think it might be time to go. She folded the paper and left it on the kitchen table, shutting the door behind her as she went.

The Stuff Library

I took my kid to the Ren Faire yesterday. She brought a friend, and once inside they peeled away from the adults and went off to do their own thing. I had given her money for snacks and rides, and I was surprised when I caught up with her later that she had spent $20 on a fox tail.

My surprise was not at the fox tail itself. It was because she had bought a fox tail last year. It sat on the floor of her bedroom until one of the cats decided that it had been discarded and played with it until it was shredded. There are a lot of “treasures” on the floor of my daughter’s bedroom. Bits of costume jewelry, doll clothes, picture frames, drawings, colored pencils, small rocks, individual fake nails, single shoes.

My daughter has a passion for owls, and she has collected pins and earrings and drawings and pillows and paperweights and note pads…and they’re all sitting on her bedroom floor somewhere. Most of this stuff she gets from friends in that way stuff has of making its way from kid to kid, but she gets some of it from relatives and a small amount of it from me. I sometimes feel guilty, like I’m spoiling my daughter and failing to teach her the value of money, but as I recall, my own childhood bedroom was a disaster of books and rocks and jewelry and doll clothes and stray socks and hair bands and bits of paper that I was forever scribbling on. Money is not part of the equation. We didn’t have any, but it didn’t keep me from accreting stuff. I’ve begun to feel like an ogre because whenever my kid asks me “Mommy, can I have this?” I remind her that she’s got so much crap at home that it’s all over her bedroom floor and she does nothing but step on it. She does not see this as any kind of reason for refusal. In fact, it’s a reason to buy more fancy bins and containers to put everything in.

As an adult, I recognize the rewarding feeling of new stuff. We go out to the store and we find the thing that will make us perfectly happy and we bring it home and we’re thrilled for a week, and then we’re looking for the next thing. On the other hand, that urge is at the heart of America’s unsustainable consumer culture. I try to limit the amount of stuff I buy, and to think about what I’m going to use it for and whether I really need it. My kid has no such context.

It makes me wish for a “stuff library.” A giant warehouse full of stuffed animals, bits of jewelry, attractive rocks, comfortable pillows, large kits for making picture frames or friendship bracelets or potholders that no one will ever use, novelty socks, and all the crap that my kid begs me for regularly, but that she drops to the floor the minute we get in the house. People can go into this warehouse and choose the stuff they want. Exercise equipment, impractical shoes, novelty hats, lawn ornaments, stuffed animals, complicated board games, electronic toys. You can take the stuff home and have that great feeling of “new stuff”  – the feeling of discovery and anticipation and surprised delight.

After two weeks, when the “new” has worn off and it’s just another pile of crap cluttering up your space, you can put it back in your car and trade it in for different, newer stuff and get to experience that new stuff feeling over and over again without going broke or contributing to the glut of consumerism that plagues us.

Frankly, I  think this is a way better solution than lecturing people to stop wanting stuff. You can’t make people want less.

Making Things Right

A week ago, I went to Betty’s Eat Inn (Pacific Avenue, Santa Cruz) with my daughter. When I got the bill, I gave them my credit card but then never got it back, and so walked out without it. The next day I called the restaurant. They had the card, and I told them I’d come to pick it up. I didn’t make it there on Thursday, but on Friday when I went I was told that they had destroyed my card.

I’m still processing what happened. I called. They knew that I knew the card was missing. They knew that I knew they had it and that I wanted it back. And they destroyed it.

The last time I had to get a new credit card, I found out a few things. I found out that my husband and I don’t just share an account, we share an actual card – our cards have the same number, etc. This makes it tough if, for instance, I want to use Paypal. You can’t have more than one account with the same card number, and he updated his with the new card first. I also found out that in some instances if you have a service that’s automatically billing your card and you switch cards, they may skip a single auto-billing. You’ll end up having a late fee (unless you’re me and pitch a fit about it). Most of our bills are on auto-pay, and every single one of those accounts would have to be manually changed over to the new account number.

I called the restaurant again to find out what happened. The woman I talked to said that she had spoken to the manager and that my card had been destroyed. She said that she understood it was upsetting, that it was all a misunderstanding. She said that the manager would call me on Monday (yesterday) because they wanted to “make this right.” Nobody called me.

What does “making it right” look like? In a case when you’ve accidentally done someone an injury that can’t be fixed with money (replacing something broken, etc.) how do you make it right? I don’t want vouchers for free food at a restaurant where the staff has done something to harm me. I don’t want to make friends with someone to reward them for having screwed me. It’s out of the question to have someone else go through my accounts and undertake the tedious work of both getting the new card and fixing the accounts that use that card.

I’m sure that a lot of people have had similar problems. Someone has done something to you that they can’t fix. How do you handle it? How do you gracefully get through it without letting yourself be made bitter at people’s incompetence? How do you allow the other person to atone for their actions without unfairly hanging a millstone of guilt around their neck. That gets to the crux of the matter. If you’ve done something wrong, you want to be able to apologize, be forgiven, and get back to okay as quickly as possible. But what if the thing you’ve done has long-term consequences? What if the thing you’ve done comes back to haunt the other person for months or years? How long do you have to keep apologizing for the same sin? When I look at it like that, I come up with a very different answer.

What’s right? Who’s right?

UPDATE: I happened to be having lunch on Pacific Avenue again today, and afterward I stopped by Betty’s to see if the manager would talk to me. He did, and he was just short of hostile in his condescension. His attitude was “I cut it up and now it’s gone. What do you want me to do about it?” Not “I’m sorry that I’ve just caused you a huge headache.” He consistently blamed everyone else on his staff (an action that always sticks in my craw). What’s worse, he and the assistant manager acted really strange about the whole thing. I asked them if there was a particular card that was different than the others. No, they didn’t think so. Really? No, they were all just regular cards. Except that mine was a Chase Sapphire Preferred card. They’re made of metal and so can’t just be put through a shredder or cut with scissors. You would notice if you were trying to snip one of these. And yet, nope, there was no problem with any of them.

The whole thing is beginning to sound suspicious to me.

Some For You, Some For Me, All For Us

My husband and I have been together for about 12 years. When we first got together, we told each other all of our deepest, darkest secrets – all of the likes and dislikes and fears and desires that another person might hear and say “Ew. That’s weird.” Telling him these things made me feel I was testing him. If he could hear the worst about me and still want to be with me, then he really loved me. Hearing those things about him made me feel he was blessing me with things he couldn’t share with other people.

Somewhere along the line, it got harder to share things. I wouldn’t go so far as to say that we keep secrets from each other, but we certainly went from “I love you and I want to share every single new experience with you” to “I don’t want to bother you with this, I know it’s not your thing.”

On the one hand, that’s a good thing. I think that every relationship goes through that initial phase where you’re pretending to like things the other person likes just to have an excuse to have more experiences together. Once you live with someone and get to experience them in uninterrupted stretches, there are things you can skip.

On the other hand, when you’ve been with someone for a long time, it’s easy to make assumptions that cut off what could be shared experiences. Assuming that your partner doesn’t like a pizza because one time you asked if they wanted some and they said “no,” or thinking that your partner’s dislike of a particular band equals hating an entire genre of music means that there are whole areas of potential shared experience that you won’t have.

My worry is that once you start cutting out shared experience, you start diminishing your relationship. You find other people to go out for pizza with, you start going to see your favorite band alone, and then you start building new communities that don’t involve your partner. The bigger worry is that the reason one person isn’t sharing is because they’re afraid. Afraid that you won’t like their new thing. Afraid that not liking that thing may make you not like them.

It’s an effort sometimes to remember that risks are still part of bonding, even after we’ve been together for so long. I’m always encountering new music and theater and movies, etc. that I think are interesting. It’s good to think back to those early days, and remember how amazing it felt to spill all my secrets and remember that it was sharing that made us into an us in the first place.

 

The Loss of a Close Friend

On Thursday when I left the house to pick my daughter up from school, I couldn’t find my iPod. I’d had it in the car the night before, but now I couldn’t lay hands to it. I couldn’t find it again when she and I left to go to karate. I came home and looked in my briefcase, my purse, my other purse, my backpack. I looked in the foot wells of the car, in the trunk, under the seats. I looked in that place in the kitchen where all the junk seems to accumulate, on the nightstand next to my bed, in the mess of books on the floor in front of the nightstand. I cleaned the desk in my office. I cleaned the stuff off the couch. I cleaned the stuff off the other couch.

Don’t get me wrong – my house is neither so big nor so messy that a thing as big as an iPod goes missing often. Yeah, I know that an iPod is only about the size of a deck of cards, but do you think that if you left a deck of cards somewhere in your house, you might never find it?

I looked in the onion bin, the potato drawer, the fridge, the silverware drawer, and the drawer in the pantry where we keep screws, tape, hooks, hinges and bits of string. I’ve looked under things, behind things, in things, between things.

In the meantime, I’ve got two audiobooks that I have to hear to prepare for an interview. There are a few podcasts I follow that I now miss. I’ve got a half-dozen audiobooks that I’m reading for non-school purposes. And then there’s the music. If I were stranded on a desert island, I could listen to music continuously for 20.4 days without hearing a duplicate. I’ve got 4.5 days of television shows (nearly all animation), and a whopping 138 days of books. Just over FIVE MONTHS of content.

I didn’t realize how much I depended on my iPod. Because I’m always reading a paper book while reading an ebook while listening to an audio book. Because I’m hooked on Lexicon Valley and SuperEgo and Judge John Hodgman. Because I am like the rest of the world in that I like to clean while listening to music. Because when I’m on a plane and I can’t write anymore, I can always watch more Clone Wars. Or re-watch.

I know from the painful and tragic experience of a family friend that you have to wait 7 years after someone’s disappearance to have them declared dead. How long should one wait before declaring a beloved life partner lost? Would I betray my old friend if I went out and picked up someone new and shiny? How stupid will I feel if I buy a new iPod and come home and the next time I sit on the couch, there it is, under my left butt cheek? In the meantime, I’m dragging my entire laptop around with me so that I can keep up with my schoolwork.

Lord knows what I’ll do when I mislay that.

UPDATE: Not 30 minutes after posting this, I found my iPod. It’s a 160Gb iPod classic in a thick silicone skin (I drop it a lot). The silicone means that not only does it not break when I drop it, but it sticks to things (like the time it stayed on the roof of my car during 48 hours and 100+ miles of driving). It had fallen between the mattress and footboard of my bed (it’s a big sleigh bed) and stuck there. Until I pulled all the linens off the bed and jiggled the mattress around. I knew that if I just bitched loudly enough about it being lost, it would hear me and get itself found again. This iPod and I, we’re like Sauron and the One Ring.

What Time Gets You

I like to be clean, so every day I go into my bathroom, and I have a choice to make. Do I take a shower or a leisurely bath? If I have to be somewhere soon, I take a shower. If I have nowhere to be and nothing else to do, I might indulge myself in a bath. No one is allowed to disturb me in the bath (unless they’re bringing in champagne – that’s always allowed), and I normally stay in until I wake up because the water has gone cold and my fingers are so pruney they hurt. A bath isn’t something I can rush through. I can’t even start the water running unless I know I have a good long time.

I just got the latest round of comments back on the manuscript I’m working on. My mentor loves the premise, loves the characters, but thinks that I need to get further into the characters. His comment was that the changes I had made to my manuscript were “workmanlike.” I have to admit. That stung. On the other hand, he loves the story so much that he couldn’t keep himself from rewriting big chunks of it – he said he couldn’t resist. What he suggested was that I take a bath in my manuscript. Give myself the time to get all the way into it, so that I can inhabit the characters, play with them, live inside their skins and let them have their own reactions rather than the reactions I’m writing for them.

It turns out my mentor lives alone. His time is his own to dispose of however he chooses, so when he says “it may take you 8 hours to get the first page right,” he doesn’t necessarily realize that I do not have 8 hours in a row to devote to this ever. Between driving the kid to school, laundry, watering the garden, taking the dogs out to pee every hour or so, there is no such thing as 3 uninterrupted hours, forget 8. I would love to be able to say that I’m sitting my office turning out my masterpiece and my husband and child keep coming into my inner sanctum and disturbing me, but that’s not the case. It’s usually me going out into the rest of the house and demanding kisses or tea or a bite of whatever they’re eating.

Virginia Woolf posited that for women to write fiction they needed money and a room of their own. I have both, but what I don’t have is the conviction that it is right for me to use them. So, it’s not a lack of time or talent that’s keeping me from my literary goals. It’s will.

In the Air

There’s the group of people you see at the baggage check-in. You scan the crowd, wondering how many of them will be on your flight. How many flights can one airline have leaving one airport at the same time, after all? There’s the young couple with a baby and far too much luggage, the rich older couple with no baby and far too much luggage, the gaggle of scruffy students, a whole herd of businessmen in indistinguishable rumpled dark suits, carrying either a laptop or the Wall Street Journal.

You move through the airport check-in process in this instacrowd of fellow-travelers, beginning to bond with them in preparation for the flight. Oh, good. The couple with the baby will be on this flight. There they are at the gate, handing the baby Cheerios which it flings onto the carpet in a 4-foot circle around them. Most of the students aren’t on this flight. This is the time of year they’re all heading toward somewhere coastal, and you’re not. But most of the businessmen are with you, ensuring that you will both not have to talk to anyone on the plane and that you will not get to use at least one armrest.

Now it’s a matter of narrowing down who’s going to sit near you. Not the baby. Please, not the baby. But it’s a couple. The man and woman each pull out something to read and talk neither to each other nor you. You sit by the window and put your jacket over your head and think that you might sleep for the two and a half hours it’ll take to get there. Maybe more. It’s raining now.

You won’t sleep. The plane jumps up and down in the air, a prop at the end of a string held by a small child bent on childish entertainment. The captain does not turn off the “fasten seat belt” light, and you wish that there were more straps to keep your head from hitting the seat every time the plane dips. The flight attendants can’t serve beverages and are still sitting in their fake little seats, their fake smiles rigid on their faces. The baby is hysterical.

The feeling of falling, powerful every time the plane dips, then less so as it recovers, comes on and does not stop, although no instructions have been issued by anyone. The sounds of the plane’s engines are being drowned out by the sounds of the passengers wondering what’s happening, gasping at each new jolt, someone near you has begun crying softly.

You take the jacket off your head and see that it’s the woman next to you who has put down her book and is now snuggled into her partner’s chest. He has wrapped his arm around her and is stroking her hair, looking around the cabin for someone to do or say something. The captain comes on the overhead to say that you’re experiencing “extreme turbulence” and that any passengers not in their seats should return to their seats at once and buckle up. He is going to land at the nearest airport.

The plane is going down. It’s below the clouds now, and you can’t see much out the window because the rain and ice are pelting it so hard that the windows are curtains of water. You hope there’s an airport below you to catch you.

There isn’t. The pilot announces that he’s making an emergency landing, and barks at the flight attendants to do something airplane jargony. The flight attendants do not move. There is nothing for them to do.

The jolts come harder and faster and it’s difficult to tell exactly when the plane hits the ground, except that the noise coming from the other side of the plane is the loudest thing you have ever heard. Even so, is this really happening to you? Things are being thrown around the cabin – women’s purses, paper coffee cups, magazines, and you wonder who will clean up the mess. The seats at the front of the plane suddenly seem to be going uphill, like you’re at the back of a roller coaster heading upward. People are screaming, but now the noise has a distant, tinny quality to it. Someone has gotten out of his seat, and he flies into the air and lands two rows back on top of three people who scream and try to push him away. A section of overhead bins toward the front cracks, breaks, falls onto the heads of the people below it who put their arms over their heads and scream. And now you’re wet and cold because the plane is sideways with a large hole in it where the rain whips in. You’re all still moving. The plane is still skidding along the ground, and it seems you’ve all been strapped to a bullet fired at the ground for an impossibly long time. You feel both weightless and leaden, and you can’t tell whether you’re breathing.

And then the cataclysmic noise stops, and all you can hear is the rain, and people crying. So many people are crying.

What I Have

There’s something very uncomfortable about having. The recent protests against the profligate rich have framed the debate as being between the haves and the have-nots, but those labels can be applied to any group who feels oppressed. Any group fighting for civil rights is a have-not. Frankly, anyone who’s in a position to feel dissatisfied with their lot probably thinks of themselves as a have-not. And they despise those who have.

graph showing average income

It only takes a little over $150k a year to be in the top 10%, and the more you make, the closer you are to the 1%. In California’s Silicon Valley there are plenty of firms paying this kind of money.

 

So, if you have money, you can’t possibly feel good about it. Even if you donate to charities, help the poor, etc., you’re still a rich bastard living on the backs of the poor.

My father, who is on the Board of Directors for the ACLU in Arizona, does a lot of work on behalf of those people who are being racially profiled and unfairly persecuted by local government. Arizona is a haven for old, scared, politically conservative white people, and the government there thrives by playing on their fears. My father is Mexican, and looks it. My mother, on the other hand, is Scottish. I look like my mother, and therefore, no one would ever think to ask me for my immigration papers if I were ever to be pulled over. But that fact causes me nothing but shame, as does the fact that I was born in Arizona in the first place.

I’ve been happily married for nearly ten years to a man who’s interesting to be around, well-read, likes thoughtful political discussions and foreign films, etc. In short, we’re very well suited and get on like gangbusters. We often hear remarks from people about how obvious it is that we have a great relationship. That’s heartening, but I also hate to bring it up, because I am friends with a lot of people who are either in crappy relationships or wish they were in some kind of relationship but aren’t.

I guess the long and the short of it is that I’m happy. I have a good life, and I’m enjoying it, but at the same time I’m eaten up with shame because I know that so many others aren’t happy, and a lot of them think that I don’t deserve to be happy either. I don’t think anyone’s so unrealistic as to say “If every single person on earth can’t be happy, no one should be happy,” but it does seem that an alarming number of folks live by “if I’m not happy, nobody should be.”

I hope that a lot more people are like me. Enjoying happy, fulfilling lives, but doing it quietly, so as not to bother anyone.