Film #10: Fruitvale

The Pirate and I had tickets to the Grand Jury Prize winner for the Dramatic competition, and the winner this year was the film Fruitvale, about the last day in the life of Oscar Grant, an African-American man who was shot by BART officers at the Fruitvale station on New Year’s Day 2008.

If we had actually gone to the film, it would just be starting now, and we’d be sitting in the dark of the balcony at the Eccles Theatre holding hands and staring ahead into the darkness. Except that, the last time I went to a film in the Eccles Theater, day before yesterday, I stared into the darkness, and the darkness entered my eyes and my heart and hurt me.

I live in the United States. I’m a graduate-school educated, above-average-earning woman born of a mixed-race family. I’ve experienced a whole lot of ugliness in my lifetime, and I’ve heard firsthand accounts of a whole lot more. I don’t need to be told again and again that people of color are wonderful, human, flawed, vital, important people at the centers of their own social circles. Nobody should need to be told that, because all human beings are those things.

I also don’t need to be told that people of color are routinely discriminated against, brutalized, stripped of their rights and their dignity, systematically excluded and otherwise made to feel less in our society. I’ve lived with that too, and understand how profoundly that affects people in every facet of their lives.

I know a few people who use social media primarily as a conduit for forwarding platitudes. Endless pictures of cute animals with endearing sayings, proverbs, and quotes from people like Gandhi or Martin Luther King, Jr. I don’t discount anything that those men might have said, but I don’t have patience for people who are willing to quote their words to others, but ignore them in their own lives. They’re the same to me as all those folks who go to church on Sunday and act like assholes the rest of the time.

In the same way I don’t need to keep having Gandhi quoted at me, I don’t need to be reminded of the plight of people of color. It’s not that I stop caring – just the opposite.  Because I can’t stop caring, it rubs me emotionally raw and hurts me more than it does some other people.

The upshot is that I hope whoever got our tickets (we walked over to Eccles about an hour and a half before the film was to start and sold our tickets to one of the many guys hanging around outside the theater asking for them) enjoys and appreciates the film. I hope it makes them think about how they are in life and what they could be doing to foster more peaceful discussion and less fear and mistrust. I hope that they start looking at every person they pass in the street as a human being as worthy of love and respect as themselves.

Film #2: American Promise

American Promise follows two African-American boys from first grade through high school.

Overall rating: 3 out of 4

My mind was staggered at the though that parents/filmmakers Joe Brewster and Michéle Stephenson decided to follow their son and his friend from the day they entered Dalton, one of the most prestigious schools in the country.

There’s no way a film of an acceptable length could possibly include every milestone, drama, etc., that happens in a child’s life throughout the whole of grade school and high school, but this film did a great job of bringing us into the two families. The film catalog talked specifically about the fact that one of the boys leaves Dalton and goes to another school, and the filmmakers paced the stories so well that the audience didn’t know until the decision was made who was leaving. Given that the Joe and Michéle were filming their own lives and their own parenting, it was refreshing to see how unsparing they were of themselves and their own foibles.

I also appreciated the focus on race. There was a lot of blunt talk in the film about how the two boys (and their families as well) had a hard time dealing with race. They sometimes felt that they and their children were being dealt with differently because of race, on the other hand they also said straight out that they felt more comfortable around people of their own race. It really highlighted for me some of the reasons why it’s so hard to talk about race in America – if white people start the discussion they can be seen as patronizing, if black people start it they can be seen as defensive. It’s easy to sit down and have a talk with a single person, but harder to have a talk with a large group, all of whom have very different experiences.

According to Michéle, the film will be appearing on PBS later on this year, and I hope that it receives a wide audience. It deserves one.