There’s no getting around it – self-publishing is a fact, and more writers are not only taking advantage of it, they’re experiencing levels of success only previously possible with the resources of a big publisher. But self publishing is muddying the waters of the publishing industry, making roles and procedures that had seemed clear only a few years ago more uncertain.
Who’s publishing their own stuff? The Kindle Store is full of the traditional “not up to publishing standards” kind of fiction. The sort that isn’t well-written or well-edited, that shouldn’t have seen the light of day. But two new streams are blowing that group out of the water. The first is already-published authors whose back catalogue works are enjoying new life as e-books. Hugh Howey quoted one of his early mentors (whose name I, alas, did not catch) as saying “take care of your back list and your back list will take care of you,” and that’s exactly what these authors are doing – allowing their back lists to take care of them by finding a new audience. But Hugh Howey himself represents the second stream: self-published authors who have looked at the publishing industry and replicated it for themselves. They’ve perfected their craft and spent the time editing their work to a professional standard. They’ve used professional layout tools to make their books look as good as anything coming out of a Big Five publishing house. But 100% of the money is coming straight into their own pockets. Howey has written many articles about how self-publishing can be a more lucrative income stream for authors than working with a large publishing house.
Which is not to say that there’s no room for the traditional publishing house. Howey himself has recently made a deal with Simon & Schuster for his Wool series in paper books. Amazon, home of Kindle Direct Publishing, has an entire division that does nothing but look at the books that self-published authors are putting out and find the ones that are picking up speed. They are uniquely positioned to use their traditional imprints, Thomas & Mercer, Amazon Crossing, 47North, Montlake Romance, Grand Harbor Press, etc., to snap up those self-published works that look like they’re catching on, and put the resources of Amazon behind them, while taking a cut of the profits.
Howey was able to put out a professional product because there are so many excellent self-publishing tools available for little or no cost. Authors thinking of going this route will need to understand clearly what needs to be done, and be prepared to either do it themselves or to pay a professional: editing, typography and layout, illustrators, publicity and distribution. The cost of putting out a less-than-professional product isn’t just a lack of sales. It’s a loss of credibility with the reading public when you put your next book out.
The people who are experiencing great success have one thing in common. I call it “the Netflix effect.” I don’t have cable, so I tend to find television shows on Netflix. When I find one I like, I’ll watch the whole thing, one episode after another. I don’t even think about getting cable anymore, because the thought of watching a show I like and then having to wait a whole week before I can see the next episode is just too much. Howey has put out twelve books in the last few years, and those people who come to his books and enjoy them can consume them like potato chips. He said that his goal was to ignore his sales numbers and focus entirely on writing for the first ten years. As a result, with very little publicity, Howey has managed to sell millions of copies of his titles.
So, perhaps that’s the takeaway – if you’re an author looking to get your book to market, think about what you’re solving for. Authors with many books under their belts have different needs than first-time novelists, who have different needs again from mid-listers on their second or third novel. With the publishing world still morphing, authors can make many of their own opportunities.