I haven’t posted in quite a while, partly because I’ve been superbly busy, and partly because I just haven’t been doing anything interesting to anyone but me. You all know about my software project in process, and it’s still in process. *yawn* You’ll want to hear about it when it’s closer to done, but right now? Probably not.
But tonight, I had a brush with greatness. I wonder why more people don’t go to public readings. It really is the very best entertainment one can get for free. Mostly, you get to sit in a nice bookstore that doesn’t smell weird and have someone read you a story. Sometimes there are snacks. And sometimes, things happen that rival the very best live theater in the world.
My friend S. G. Browne’s book Big Egos came out recently, and he was having a launch and signing at The Booksmith in the Haight. The Pirate and I got there a little early and had seated ourselves, when someone came in and said, in a very deep voice “You know who wrote the introduction to my book ?” And gave the name of a fairly famous music-related person whose name I have now forgotten, but at the time, I thought “I didn’t know that Scott knew anyone that connected.”
What sat down in front of me was a painfully skinny person with big, pouty lips, long brown hair and and a well-filled pink tank top. She turned to me and said “I like fat girls and blondes. What’s your favorite poem?”
In addition to being a fat girl and a blonde, I happen to have the penultimate two lines of my favorite poem tattooed on the inside of my right forearm: “I have promises to keep/ and miles to go before I sleep.” She squinted at them for a few seconds.
“It’s from Robert Frost’s ‘Stopping By Woods on a Snowy Evening.'” I said, and she heartily approved.
She said several times that she stole (“But they know I steal,” she said, gesturing vaguely at the staff. “So I guess it serves them right,” I said.) and that she lied. She asked me to guess whether she was lying when she said that her grandmother was Betty Grable and I thought it might be possible. Then she asked me to guess whether she was lying when she said that her grandmother was Joan Crawford. I have to say, that face had some very nice bones going on, and good skin, too (“Burt’s Fucking Bees,” she said at least five times during the conversation “Get it at Walgreen’s”) but I told her that she couldn’t be the grandchild of both of them. She maintains that she’s Joan Crawford’s grandchild.
She asked me my favorite color, my favorite song, and when she asked the Pirate his favorite punk band and he said he liked X, she lit up. We talked about Exene Cervenka, and she claimed that Exene wrote the intro to her book. But she had come in claiming that someone else had written it, so I filed that in the same bin as Betty Grable and Joan Crawford grannies.
“I’m drunk, sorry.” Visuals travel faster than either sound or smell, but all three had already told us that.
She complimented my shoes and told me that she knew a guy who did custom-made shoes and Marilyn Monroe dresses. She told me that she’s a submissive. That whenever she has trouble coming, all the man has to do is snap his fingers and she comes instantly because she’s so submissive. That Marilyn Monroe was so submissive, she’s dead. I laughed so hard that she got up and said it again into the microphone at the front of the room. And it was funny then too. She approved of my dress and my shoes and my tattoos and my hair, and told me, when I sang a bit of my current favorite song (Regina Spektor’s Samson) that Adele had nothing on me. Nothing, I pointed out, but a few Grammys.
She turned her chair to face us and kept leaning forward and taking my hands. She said that she likes women, but she loves men, and who can blame her? At one point, she said something about Bambi, then said “I’m Bambi, by the way.” But I had figured that out already.
She insisted that I closely inspect her art deco earrings, telling me to put out my hands so that she could cup them in hers and place the earrings in them. I wouldn’t have called them art deco. They looked more 50s vintage, but they were fun, no doubt. Although, I have to say, not as fun as the amazing pearl starbursts I got the little kid as part of her Audrey Hepburn costume.
Meanwhile, every time she got up to get more of the wine and cheese on offer, the Pirate and I looked at each other and started cracking up. This is not the first time that someone with an alternative take on reality has zeroed in on me as a kindred spirit, and, for the life of me, I do not understand why.
She had put her jacket on the back of the chair next to me, but was still sitting in the chair in front of me when three of my friends arrived. One took a seat behind me, but I practically had to beg the other two to sit next to me, moving Bambi’s jacket back to her chair. We made introductions all around because it would seem rude not to, and everyone’s comments were surprisingly tame. This is a pretty snarky crowd.
Bambi went back into the bookstore proper and returned with a large softcover coffee table book with the world “men” in the title. Inside were various pictures of men next to pictures of likely places of manly pursuits. There might be a closeup of a 20-year-old with a deep tan and a 3-day beard next to a picture of a pristine beach with a Jet-Ski sitting on it. That sort of thing. The Pirate looked at it and said “Oh, look. You brought us a catalogue.” We paged through it and said things like “I could use one of these in the kitchen” while Bambi cackled and promised to get a lady catalogue for me. I was fine, though. I’d like one of those for the kitchen as well.
Then Scott got up to read, and things started to go south.
The opening scene of Big Egos takes place at a party full of dead celebrities. As Scott read, Bambi stage-whispered in that way drunken people do, “Name dropper.” One of the staff came over and asked her to be quiet. Bambi got up and made her drunken way back into the bookstore, returning with some paperback and accidentally knocking some cups off the table that held the wine and cheese. By now everyone in the room was very determinedly watching Scott’s reading and Not Looking at Bambi, and something became clear to me.
Bambi knew that everyone was looking away. She counted on it.
As she came back to her seat at the front, she stood up for a few moments, blocking the audience’s view of Scott, who never stopped reading. She pouted her lips and tucked her hair behind her ears and posed, and I drew my eyebrows together and shook my head just a little, trying to communicate “I was feeling kindly disposed toward you earlier, but don’t blow it by behaving badly toward a friend that I like better than I like you.”
She sat down and, without trying to be subtle in any way, proceeded to put the book into the depths of her backpack. Scott finished his reading and asked if there were any questions. Bambi demanded to know if Scott actually knew any of the people he wrote about. Of course he doesn’t. “Well I knew all of them,” Bambi said, and then proceeded to tell Scott that his writing was shallow and affected and terrible. At this point, a male staffer came over and told her she needed to leave. “Call the cops” she growled. “Okay,” he said, and went off to make the call.
She was fidding in her backpack, getting her self together when one of Scott’s burlier friends yelled from the back “Come on, honey, it’s time to go.” At this point she was standing up, and she yelled “Who are you, fat boy?”
“Nobody, but it’s time for you to go. Let’s take it outside.”
“I have to go,” she growled at the crowd. “The cops are coming.” The she looked at the bookstore staffers, who were handling the whole thing with the aplomb that I assume comes of working at a bookstore in the Haight and said “Fine, you want me to leave, I’ll leave.” And with that, she threw some chairs around and walked out.
The room was silent for a few more seconds before Scott said “Are there any other questions?”
After the reading, which couldn’t help but be a bit anticlimactic, my friends told me that they assumed that Bambi and I were old friends by the way we were interacting, and I admitted to only having just met her when she attached herself to me upon arriving. A man told us that he’d known Bambi since he was 18 (he looked to be in his mid-30s) and that Bambi was “a character.”
But nobody seemed to have noticed what happened. The book went into the backpack, in full view of everyone, but when she was ejected, everyone was so relieved to have her gone that I’m sure nobody bothered to remove it, which, I realized, was the entire point. What better way to create a distraction from one misdeed than with another, larger misdeed? If this had been a movie, everyone would have been cheering for Bambi.
As it was, I was the only one in that crowd, and my cheering was all internal. Go, Bambi. You’re brilliant.
And, for the record, Exene Cervenka did write the intro to Bambi’s book.